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“... one another: affection hears malice coughing and taking off its shoes on the other side of the wall and sighs at the mess curiosity always leaves on the tub. As the young mid-century Fleur of Loitering with Intent, she contemplates an old woman with a visual greed as unsettling as it is endearing: ‘As to her bizarre appearance, I liked it. I liked to see ...”

“... you? What are you?’ ... Squirming. More breathless fear. Cornered now. Literally against the wall. My lapels were seized. ‘What are you?’ Mumble. ‘What?’ ‘A divvy.’ Hysterical sneering. Flashman laughter. The bell rang. Escape, thank Christ. Is it only actors who use the word ‘Christ’ like this any more? Branagh does it all the ...”

“... Sontag called them in Aids and Its Metaphors: ‘the future ill’. The artist and film-maker Derek Jarman remembered his HIV diagnosis, in 1986: I thought: this is not true, then I realised the enormity. I had been pushed into yet another corner, this time for keeps … The perception that knowing you’re dying makes you feel more alive is an ...”

“... the nearer one gets to production the bolder one gets. I hope it’s boldness anyway. 23 February. Derek Jarman has died. I liked his writing more than I did his films though I wish he had made the film which he once asked me to write, about his father, a Battle of Britain pilot who turned kleptomaniac in his old age. Jarman dies on the eve of the fudged ...”

“... added, with characteristic candour: ‘At the Socratic the enemy often wipe the floor with us.’ Derek Brewer, a pupil of Lewis’s who was later to become Master of Emmanuel College, Cambridge, formed the impression that Lewis attended, and presided over, the Socratic ‘entirely as a sacrificial duty, and loathed it’. This may well be an ...”

“... an allegory of the five senses and read a warning against indulgence in the paintings on the wall behind them. A young boy blowing bubbles in a Jan Steen Brewery should be interpreted as a moralising reflection on transience, and so, too, should a small bone lying next to some playing cards in an Outdoor Party by Esaias van de Velde. The precise message ...”

“... By grouping them all together under this label, the Christians ‘created an invisible social wall between themselves and their non-Christian neighbours’. To the manning of this wall, they brought the detestation of idolatry characteristic of the jealous God of Israel. For the first time, Christianity hoped to extend ...”

“... Reuter and Herbert, circa 1870, to No 63, a Reuters news picture of the destruction of the Berlin Wall in 1989. No 17 shows an outpost of the Reuters empire in 1900: Kalgoorlie, Australia, with men in suits and one in a straw hat lounging outside the Miners Institute, which also serves as the office, as a notice says, of the Reuters Telegram Company ...”

“... Allan Sekula and Raymond Pettibon in California, together with Stan Douglas, Ken Lum and Jeff Wall, all born and based in Vancouver. London fared well, too, with artists such as Kutlug Ataman, Mona Hatoum, Isaac Julien, Steve McQueen and Yinka Shonibare; while Pierre Huyghe, Annette Messager and others are Paris-based. Germany was represented by a number ...”

“... of the townhouse, thrilled that saloonkeeper Fred Moore and CBS heir Bill Paley Jr had convinced Derek and the Dominos to perform live and loud. The food from the Gandy Dancer restaurant was splendid, the wines were vintage and the drugs grown and manufactured by designers with PhDs in botany and chemistry. The acronyms HIV and AIDS were unknown and the only ...”

“... did: he was one of the forty million Americans who have lost their jobs since the pandemic began.) Derek Chauvin, the white police officer who knelt on Floyd’s neck for eight minutes and 46 seconds as he complained he couldn’t breathe and called for his dead mother, had faced at least 17 previous misconduct complaints and taken part in three police ...”

“... living my life. But will I survive in duplicate? In his book Reasons and Persons, Derek Parfit argues that I will survive in duplicate, but without my identity, because the line of my particular identity could not possibly continue in both my beneficiaries simultaneously and there is no good reason to suppose that one of them carries it on ...”

“... another and the rest of nature, are glossed by readings from Melville, Nietzsche, Virginia Woolf, Derek Walcott (‘then came the men with eyes heavy as anchors’) and Heathcote Williams (Whale Nation, 1988). The spoken texts play in and out of the deafening audio mix as whales breach, icecaps melt, huge shoals of fish migrate from screen to screen and ...”

“... Brampton with an inscription carved by the legion that cut the stone here for nearby Hadrian’s Wall. But it’s too cold to go looking for it and it’s said to be overgrown and eroded now, but somehow to see the place that supplied the stone and the mark the men made who quarried it seems much more evocative than the actual ...”

“... that Gordon Burn and Fullalove aspire to the extremity represented by the best of J.G. Ballard or Derek Raymond, by a Crash or an I Was Dora Suarez. Both of these books retain some residual claim to realism, but work by isolating a lurid element in the world and expanding it almost infinitely. Fullalove tries the same trick, but there is a curious emotional ...”