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“... This​ is a dry and dutiful book which reads like a ghost story. The person being haunted is David Cameron. Theresa May grew up in a Cotswolds village called Church Enstone, where her father was vicar for much of the 1960s. The vicarage is within five miles of what became Cameron’s constituency home when he was MP for Witney and is roughly the same distance from what is now Soho Farmhouse, a members’ club, a little piece of the metropolis that is a haven for the Chipping Norton set ...”

“... needle-pointer from Singer; at the Albion Works, William Gallacher of the BSP; at Beardmore’s, David Kirkwood, who had recently joined the ILP and was a reluctant supporter of the war (‘I was too proud of the battles of the past to stand aside and see Scotland conquered’); and at Barr and Stroud, John Muir, also of the SLP.The strike ended after a ...”

“... If you want a good book on dedications, look out for a second-hand copy of Henry B. Wheatley’s The Dedication of Books to Patron and Friend: A Chapter of Literary History (1887). Room lists it in his brief bibliography, so in plundering it he could be accused of plagiarism only by those who believe that there is such a thing as plagiarism with ...”

“... sadistic buffoon and could never have been tolerated even by the long-suffering Labour Party. John Wheatley was the intellectual and organising genius behind the Clydesiders, but you have only to watch the surviving newsreels to see why Maxton had to be the leader of that group, and you only have to study Maxton’s confused utterances to see how he could ...”

“... improving organisational capacity of the SNP during the 1960s; the discovery of North Sea oil; or David McCrone and Steven Kendrick’s elegant theory, which emphasises the role of television in a distinctly Scottish news media, producing a ‘Scottish frame of reference’ for contentious state planning decisions that could be exploited by the SNP.The story ...”

“... perceptively as Steen Eiler Rasmussen, who saw it in 1937 as The Unique City. More recently, both David Piper in his Companion Guide (1964) and Christopher Hibbert in Biography of a City (1969) have written with elegance and comprehension, the first closer to the form of the traditional guidebook, the second to the style of the popular historian. Yet there is ...”

“... and powerful friends. She had been a celebrity on What’s My Line? and lives on as the subject of David Bowie’s song ‘God Knows I’m Good’. God knows what the authorities would do to a hardened, inarticulate sneak thief from the lower classes. And even if the magistrates were in a forgiving mood, what about the shame? My grandmother had neither a lucid ...”

“... Beside me on the sofa is the most recent number of the Richmond and Twickenham Times (proprietor David Dimbleby). It carries an interesting letter on page four. Sir, While thanking you for printing a story about my forthcoming book Unholy Pursuits: The Wayward Parsons of Grub Street I would like to point out that this is not my third, but my 19th ...”

“... Civil War would not have taken place.’ Johnson manages to ignore the work of Edmund Morgan, David Brion Davis and numerous other scholars of the past thirty years who have demonstrated that slavery was an intrinsic element of American life almost from the beginning of the colonial era, and that it imparted a powerful exclusionary dimension to the ...”

“... David Solkin​ ’s new book is designed to replace Painting in Britain 1530-1790, a volume of the Pelican history of art by Ellis Waterhouse, which was first published in 1953 and appeared in five separate editions, the last in 1994, nine years after Waterhouse’s death. Waterhouse’s history was quickly recognised as a classic ...”

“... such as de Pujol, who took them on as students in their ateliers.Female pupils of Jacques-Louis David exhibited work at every Salon between 1791 and 1837: in a letter of 1787, defending the morality of his mixed Louvre atelier to the arts administration, David claimed that his women students, all ‘irreproachable’ in ...”

“... worth going a little into the general question of why Lowland Scots, as different in pedigree as David Daiches, the film-maker Bill Douglas, Jimmy Boyle and Anne Smith, should be so determined to rake over and publicly display their childhoods (all more or less deprived childhoods, though in Daiches’ case less so from poverty than from an austerely Judaist ...”