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“... Potter of the 1830s, Tom Brown; even harder to imagine anyone settling down to read them. (Thomas Hughes did in fact write a sequel, Tom Brown at Oxford, but it’s never done as well as Tom Brown’s Schooldays: Amazon.co.uk hasn’t even heard of it.) It’s a different matter for young Tom’s Voldemort, ‘that blackguard Flashman, who never speaks to one ...”

“... Yalden, Hammond, Stepney, Fenton (Elijah) and Hughes (John): where are you now? Ten of the 52 poets represented in Samuel Johnson’s Lives of the Poets fail to make an appearance in the Oxford Companion to English Literature. On its own, of course, this doesn’t prove a thing. At the same time I would guess that these poets are known about today – if they are known about today – simply because they were once biographised by Dr Johnson ...”

“... off it recalling: ‘Bosley was quite keen on me.’ What on earth were they looking for – Ted Hughes and Philip Larkin, Seamus Heaney and Charles Causley – that they should have rated Bosley’s heart-warming dexterity (feelingful as well as formal) below, for instance, 18 solid unpunctuated pages of pornographic daydream: Kenneth Bernard’s ‘The ...”

“... lists were drawn up of such notorious Communists or Communist sympathisers as Brian Walden, David Owen, Robert Mellish, John Stonehouse, Roy Hattersley and Reg Prentice; and even a bogus pamphlet on ‘revolutionary strategy’ for the installation of socialism in Britain was contrived for off-the-record briefing of American journalists, the joint ...”

“... and his text shows more than a passing resemblance to other, better, secondary sources – David Robertson’s George Mallory, Walt Unsworth’s Everest, Peter Hopkirk’s Trespassers on the Roof of the World, Audrey Salkeld and Tom Holzel’s Mystery of Mallory & Irvine. By contrast, Last Climb is not only well written, it derives authority from the ...”

“... historians vied with each other to compose panegyrics to him. The biography written by Thomas Hughes, the author of Tom Brown’s Schooldays, said that Alfred disproved once and for all the thesis that Christianity was ‘no faith for fighters’: while the Vikings at Ashdown passed the night before the battle singing the ‘Death-Song of Ragnar ...”

“... transposition of the medieval quest, in which a gunslinger goes in search of the elusive Howard Hughes (‘They say he moved to Vegas/or bought Vegas and/moved it./I can’t remember which’), accompanied by a narrating ‘I’ and a talking horse who paraphrases Heidegger. To find Dorn, the Black Mountaineer and poet of the American Dream ...”

“... comedy and surrealism’. But these, relatively, are slight talents. McMillan’s poem ‘Ted Hughes is Elvis Presley’ is a fantasy in which Hughes, writing a poem, becomes a reincarnated Presley and starts singing to the foxes. It ends with a reference to Hughes’s poem ...”

“... see page 752, you ‘mad sod’; ‘Hi, John,’ see page 563, you ‘arse-faced trendy’; ‘Hi, David,’ see page 266, you ‘deaf cunt’, and so on. Less succinct salutations will be discovered by the likes of Donald Davie (‘droning out his tosh’), Ted Hughes (‘boring old monolith, no good at all – not a single ...”

“... offences,’ the choir sang, doing Psalm 39, ‘and make me not a rebuke unto the foolish.’ Ted Hughes read the bit from Ecclesiasticus about now praising famous men. Where these orders of service used to be religious brochures offering blasts of Christian devotion, they are now ‘celebrations’ of the life, posthumous animations of the career, and ...”

“... European literature,’ wrote David Dabydeen in his essay ‘On not being Milton: Nigger Talk in England Today’, ‘is littered with blacks like Man Friday, who falls to earth to worship Crusoe’s magical gun, or the savage in Conrad’s steamship.’ He could have added that American literature is too, from Uncle Tom to Nigger Jim to Porgy and Bess and Dilsey in The Sound and the Fury ...”

“... or derision. He entirely eluded the notice of the Earl of Clarendon in the 17th century and of David Hume in the 18th. Even the Jacobin William Godwin, the first champion of the Civil War radicals, judged his exploits ‘scarcely worthy to be recorded’, and S.R. Gardiner’s comprehensive history of the Commonwealth contained only two references to ...”

“... he urges us to be more exclusive: Let us not prefer Ashbery to Yeats, Let us not suppose T. Hughes, On shining floors, Goes waltzing with a lyrical Muse. But the rebuke comes in verse which itself should stand rebuked. It is a pity that Grigson, a good poet in a context in which achievement is likely to be occasional at best, spends so much spirit in ...”

“... Early in​ 1971, Robert Hughes, recently appointed as Time magazine’s chief art critic, was ripping out his loft apartment at 143 Prince Street when he received an unexpected visitor. This was Henry Geldzahler, curator of modern art at the Metropolitan Museum. Hughes, probably the most macho and combative critic in his profession, was, by his own account, sweaty, foul-tempered, sore-footed and ‘grey with ingrained dirt ...”

“... of cuisine and literacy. The photograph-poem has become an important sub-genre. Larkin, Hughes, Porter and others have practised it. There’s a sense in which the photograph does part of the poet’s work for him, freezing a charged but vanishing moment so that nuances of mood or relationship, by definition volatile, become permanently fixed for ...”