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“... Thanks to​ the work of Norman Cohn, Christopher Hill, Eric Hobsbawm, Keith Thomas and others, we have, over the past few years, acquired a lot of information about millenarianism as a social and historical force. The belief that the end is nigh, or that a new series of times is about to begin, is very ancient, but it is also modern ...”

“... correct, clear and elegant English. More liberal views are presented by Raven McDavid and Susan Miller.’ But is there, except in this strange world in which rank may always be pushed but must never be pulled, really anything illiberal about Davie’s belief that students of English literature should be taught to write correct, clear and elegant ...”

“... politically conservative, defensively étatiste, it seemed in the Sixties to be everything Karl Miller claimed – and not all that far removed from the Scottish situation. Yet within a decade it was to provide proof that a reformist intelligentsia could create its own economic and political dynamic. Miller’s position ...”

“... be willing, at any rate, to concede that Ovett’s intransigence is defensive in intent (though Christopher Brasher of the Observer has sometimes come close to suggesting otherwise). It must be said that the press, and to a lesser extent television, have their problems when it comes to athletics. Not the least of the difficulties is that most discussions of ...”

“... In his book about religion, Peter Hitchens has a lot more to say about his brother Christopher than Christopher has to say about Peter in his book about himself.* ‘Some brothers get on,’ Peter writes mournfully, ‘some do not. We were the sort that just didn’t.’ He continues: At one stage – I was about nine, he nearly 12 – my poor gentle father actually persuaded us to sign a peace treaty in the hope of halting our feud ...”

“... I first came across Christopher Logue’s ‘account’ of the Iliad in 1975 at Oxford where I went to hear a vigorous reading by two young men of Patrocleia, his version of Book XVI. It was an opportunity to experience the poem in its original medium, by the ear rather than the eye. Homer himself had probably chanted his verses plucking the strings of a lyre, like the bard Demodocus in the Odyssey and for many centuries after his death people did not read Homer: they listened to skilled rhapsodes, whose dramatic delivery mesmerised audiences and earned the performers ample rewards, as we know from Plato’s Ion ...”

“... and communal showers. ‘In stark contrast to the push-button extravagance below,’ Russell Miller noted in Bunny: The Real Story of Playboy, ‘the furnishing of the dormitories abruptly takes on the aspect of a rather parsimonious girls’ boarding school.’ They kept him busy: Hefner claims to have trumped Casanova, logging more than two thousand ...”

“... secret temples of Moloch. The experiments, proofs and improvements espoused by such scientists as Christopher Wren, Dyer’s patron in the building trade, Dyer pisses on. The homicides and post-mortems in the book permit the new religion of science to exercise its power: but they also occasion the necrophile broodings which exude from Dyer. Much of this ...”

“... formula … Ah, Larry, it isn’t that life is so short, it’s that it’s everlasting!’ Henry Miller wrote to Lawrence Durrell in 1959. The formula, if one were to look to history for clues, seems fairly simple. Be white, male, fairly imposing in stature, and in possession of a large ship and obedient crew. Mysteriously circle the coast of a remote ...”

“... left’? Until the birth of the English Stage Company, the post-war British theatre was, as Arthur Miller has said, ‘hermetically sealed off from life’ – and from the American theatre. When Look Back in Anger was produced Miller had written Death of a Salesman, The Crucible, A View from the Bridge and All My ...”

“... in one of their series of imaginary conversations, the Noctes Ambrosianae. John Wilson (‘Christopher North’) appears to have been responsible for the horribly inflammatory discussion of the subject there, and to have scripted the contributions assigned to the Ettrick Shepherd, James Hogg. One scholar has asserted that the imaginary Hogg was an ...”

“... His prose is a remorseless solvent of what normally constitutes literary distinctiveness. Dr Miller has some penetrating things to say about this, and about how the meandering accumulations of Dostoevsky’s descriptions – and his humour above all – ‘depend on the reader’s acquaintance with the form of the novel of manners or the domestic ...”

“... to the new medium. In 1952 he made contact with another producer looking for a TV project, Andrew Miller Jones. Miller Jones was an ex-Army officer with a yellow Rolls-Royce, the first of a large number of Panorama staff over the next fifty years with either a military background or an ostentatious personal style, or ...”

“... late 1960s Cambridge before setting up shop as a pen for hire in London. Working chiefly for Karl Miller, Terence Kilmartin and Ian Hamilton, on the Listener, the Observer and the New Review, he quickly made a name for himself as a versatile, witty literary journalist with a non-waffling mode of address that was thought to be distinctively, and ...”

“... Winning is very important to Christopher Hitchens. Dr Johnson was said to ‘talk for victory’, and by all accounts it seems the same might be said of Hitchens. He certainly writes for victory. His preferred genre is the polemic; his favoured tone mixes forensic argument with high-octane contempt. And no one can accuse him of only picking on boys his own size: he is happy to take the ring against tubby, bespectacled former diplomats and little, shrivelled old ladies as well as (special contempt here) relatively fit joggers ...”