Draw me a what’s-it cube
Adam Mars-Jones: Ian McEwan, 13 September 2012
“... admittedly very much a minority verdict), to the throwaway Amsterdam, his how-did-that-happen 1998 Booker Prize winner. Sweet Tooth occupies a comfortable middle ground in these terms. His level of craft can be inconsistent, too, with the most ramshackle production to date, Solar, following the most tightly controlled, On Chesil Beach, a book which behaved ... ”