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“... Earl Robinson and Aaron Copland. The Collective took its cue from the militant anthems of Bertolt Brecht and Hans Eisler, composing American versions of 12-tone protest songs: ‘The Strange Funeral at Braddock’ gives the full Modernist treatment to Mike Gold’s meditation on the accidental death of a Czech immigrant worker in the steel mills ...”

“... Mr Carter well knows that to call Manning Clark an imperialist historian is like saying that Bertolt Brecht had a crush on the Duchess of Windsor. But big ideas go beyond what the mind that hatches them knows: they fly into the realm where thought is pure. Mr Carter has got himself convinced that even though a historian might be a radical, the ...”

“... in the knowledge that they were a bunch of dopeheads and deadlegs. Just as the theatre of Bertolt Brecht was made possible by the existence of a mass socialist movement, so Yeats’s poetic enterprise was enabled by the tide of revolutionary nationalism in Ireland, of which he was the self-appointed mythologer. Whatever his doubts about the ...”

“... the World in 80 Days. Only a handful of tepid Cole Porter songs remain of this gigantic flop, but Bertolt Brecht called it ‘the greatest thing I have seen in American theatre’. (He and Charles Laughton hoped in vain that Welles would direct their 1947 production of Galileo.) By the mid-1940s, Welles regarded Hollywood as a place where he made money ...”

“... not truly, if I would, if I could, [it] justifies my one whole lunatic escape. [fr. 286 as Bertolt Brecht’s FBI file #100-67077] At a cocktail party attended by known Communists, on the one hand, the subject being suitably paraphrased as Mr & Mrs Bert Brecht, where ten years of exile have left their ...”

“... of the Third Reich, the defeat of European humanism, the Second World War and its aftermath. Even Bertolt Brecht, little given to public self-doubt or literary self-deprecation, questions (in the most famous of the Svendborg Poems of 1939) any man’s right to equanimity in an age when A conversation about trees is almost a crime Because it implies ...”

“... the knowledge and experience of their daily lives: the knowledge and the experience that (to quote Brecht) ‘the measures taken’ to secure the workers’ paradise did not work. In the face of endless indoctrination to the contrary, people conceived the uncertain hope that social justice and the benefits of the welfare state can be separated from the ...”

“... Papa, that the son of a genius is never a genius himself. Therefore, you can’t be a genius!’ Bertolt Brecht wrote: ‘The whole world knows Klaus Mann, the son of Thomas Mann. By the way, who is Thomas Mann?’ When The Magic Mountain appeared in 1924, Thomas Mann wrote in his son’s copy: ‘To my respected colleague – his promising ...”