At Tate Britain
T.J. Clark: Paul Nash , 2 February 2017
“... Field’ (1939) It could have survived perfectly well. Perhaps it did, in John Nash’s (Paul’s younger brother) re-doings of Constable country, or Stanley Spencer’s topographies of Cookham. Landscape painting had always been, essentially and productively, nostalgic: the cult of ruins had mutated, on the whole without pain, into a ... ”