Olivier Rex
Ronald Bryden, 1 September 1988
“... The Merchant of Venice in 1970, he says, Olivier turned up with a hook nose and goatee modelled on George Arliss’s Disraeli and had to be persuaded by his director, Jonathan Miller, to evolve in the succeeding weeks a characterisation based on his own face. No one seems to have told Holden that dress rehearsals normally complete, not commence, the rehearsal ... ”