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“... Secret service memoirs are invariably rubbished. When Robert Anderson’s Lighter Side of My Official Life appeared in 1910 – Anderson had headed a counter-Fenian agency – Winston Churchill lambasted it in the House of Commons for its ‘gross boastfulness’: ‘It is written, if I may say so, in the style of “How Bill Adams Won the Battle of Waterloo” ...”

“... co-authored in 1968. Mr John Costello has produced Mask of Treachery, dealing with Blunt, while Mr Robert Cecil has written a biography of his former Foreign Office colleague Donald Maclean. To round things out, we have The Storm Birds, Gordon Brook-Shepherd’s study of the Soviet agents who have spied for – or defected to – the West since 1945. Equally ...”

“... said, first of all, that description is itself a political act. The black American writer Richard Wright once wrote that black and white Americans were engaged in a war over the nature of reality. Their descriptions were incompatible. So it is clear that redescribing a world is the necessary first step towards changing it. And it is particularly at times when ...”

“... ventures of Ben Jonson – Hot Anger Soon Cooled, written with Thomas Dekker and Henry Porter, and Robert II, with Henry Chettle – now just bodiless titles in an old theatrical ledger. The case of Marlowe is, as always, more ambiguous. In some senses we can be grateful. Seven of his plays remain, and there is no real evidence that any whole works have been ...”

“... more’: ‘We know that less is not more. It is simply less!’ Mies was upset when Frank Lloyd Wright, whom he considered a friend, echoed the sentiment: ‘These Bauhaus architects ran from political totalitarianism in Germany to what is now made by specious promotion to seem their own totalitarianism in art here in America … Why do I distrust and defy ...”

“... in past shows (Sonia Terk and Sophie Taeuber, for example, get equal billing with their husbands, Robert Delaunay and Hans Arp). At long last such movements as Italian Futurism and Polish Constructivism are given their due, and lesser figures like the Britons Lawrence Atkinson and Duncan Grant, and the Americans Stanton Macdonald-...”

“... Thomas Hardy once told Robert Graves how he had gone to the Oxford English Dictionary to confirm the existence of a dialect word he proposed to use in a poem, and came to a standstill because the only authority quoted for it was his own Under the Greenwood Tree. This is an acute case of our dependence on dictionaries, and illustrates the commonest reason for resorting to them ...”

“... whom the term would have embraced at any later period, but one specific group – the followers of Robert Owen. Like Engels himself, Robert Owen was an unusual figure among the founding fathers of socialism in that he was also a successful capitalist entrepreneur. Born in 1771, the son of a humble Welsh saddler, Owen soared ...”

“... Robert Vitalis​ tells a great story about how he came to write this book. Some years ago, sitting in the Clark University library avoiding grading his students’ final exams, he pulled an old history of the university off the shelf. Clark played a key role in the birth of the field of international relations in the two decades before the First World War, he read, especially by founding and supporting one of the new discipline’s flagship journals, the Journal of Race Development ...”

“... been faced, with such a choice? In 1917 or thereabouts, Siegfried Sassoon confided to his friend Robert Graves that he was planning to ‘go public’, as a decorated front-line officer, with what he knew about real conditions on the Western Front. Graves had him put away for ‘shell-shock’, for his own good. That was certainly a betrayal of a friend ...”

“... nibbled at by the sharp tooth of development. But it still just about holds. In Sprawl, Robert Bruegmann bids those of us who cherish the division between city and countryside to take stock and review our values. Everywhere, the arbitrary containment of communities is dead or dying, he argues. Where it is maintained, it is only at a cost and by a ...”

“... is a woolly conceit, almost a faith. Proof isn’t required. A Brighton film of two years earlier, Robert Hamer’s delightfully sinister Pink String and Sealing Wax, set, to judge by the costumes, in the 1880s, does indeed have ‘Victorianism’ written all over it, as does Hamer’s subsequent Kind Hearts and Coronets. But neither of these is scrutinised by ...”

“... fact. It was a charge perfectly commonplace among all who knew Ford, friends as well as enemies. Robert Lowell, who met him through Allen Tate near the end of his life, quotes the story of Ford, an over-age wartime second lieutenant, playing golf with Lloyd George and giving the PM a piece of his mind on golfing etiquette: had he refrained, he told ...”

“... own talents with those of the human geographer Doreen Massey and the cultural historian Patrick Wright, but there’s no real evidence of an evolved collaboration; rather Massey and Wright were co-opted to lend their own contributions to a project that has been ongoing since Keiller lectured in architecture in the early ...”

“... Vegas (1972), the principal manifesto of Post-Modern architecture. There, in a famous opposition, Robert Venturi and Denise Scott Brown distinguished Modernist design, in which ‘space, structure and programme’ are subsumed in ‘an overall symbolic form’, which they called the ‘duck’, from Post-Modern design, in which ‘space and structure are ...”