Search Results

“... branch of the ‘identity’ lobby spoke of the new affinity it felt with Californian poets like Robert Duncan. Again, the word ‘geography’ was used: it made geographical sense for Australians to cosy up with San Francisco. To balance the provincial angst, there were also a number of sneering cosmopolitans, but they tended not to sit on platforms. They ...”

“... were drawn up of such notorious Communists or Communist sympathisers as Brian Walden, David Owen, Robert Mellish, John Stonehouse, Roy Hattersley and Reg Prentice; and even a bogus pamphlet on ‘revolutionary strategy’ for the installation of socialism in Britain was contrived for off-the-record briefing of American journalists, the joint ...”

“... is hard to uproot. Beverly Treasure? Chelsea Herbert? Lloriston Grant? Caroline Blackwood and Robert Lowell have a conversation about Ford Madox Ford? (Well, all right, but what’s it doing among ‘Traveller’s Tales’?)Chelsea Herbert is real too, and writes the best piece in the ‘Children in the City’ section: a funny, simple, and probably ...”

“... route, Peter Redgrove has arrived back at a very ancient place: or at any rate, a place that Robert Graves unearthed in The White Goddess and would have us believe is ancient. Graves is probably right: but it is best to approach enchanted ground, as he himself does, doubly armed, with red thread around a rowan twig and a pinch of scepticism. What is ...”

“... and immortal. The book on which the film is based – a noir novel written in 1947 by Dorothy B. Hughes – is told from the point of view of a serial strangler named Dixon Steele. We know from the outset that he is guilty; what we don’t know is whether he’ll be caught, and, if he is, how many women he will have killed in the meantime. ...”

“... run of huge box-office successes – The Sand Pebbles, The Thomas Crown Affair, Bullitt – it was Robert Mitchum, his elder by 13 years and a star for more than twenty, who was voted the screen’s ‘godfather of cool’ on America’s university campuses.Both men had got to where they were by doing or seeming to do nothing. It was the fashion. Gary ...”

“... out Nixon’s order to fire Cox; Richardson’s deputy, William Ruckelshaus, followed. Eventually Robert Bork, the solicitor-general and next in the chain of command at Justice, sacked Cox. Ziegler announced the abolition of the special prosecutor’s office. But the public outcry at the ‘Saturday Night Massacre’ was so great that Nixon was forced to ...”

“... poet, John Ash wrote: ‘In a better world, he would be as widely known and highly praised as Ted Hughes and Seamus Heaney.’ This would be a very strange world, and not necessarily a better one. Fisher has never aspired to the sort of readership that Heaney and Hughes enjoy; it’s not clear he has aspired to much of a ...”

“... had had to pay for being labelled as experimental artists was, it seemed, no longer being exacted. Robert Coover, born in 1932, certainly has no reason to complain of neglect. ‘America’s most outrageous novelist presents a new, wildly comic and erotic entertainment,’ screamed the paperback edition, ten years ago, of his long novel The Public Burning. The ...”

“... broke down again and failed to get a degree. Student friends, who included Philip Hobsbaum and Ted Hughes, registered that Redgrove was impressively unusual. Hobsbaum thought he bore ‘a resemblance to Frankenstein’s monster, only better dressed’. Harry Guest recalls him carrying ‘a swordstick with him’ – like a Mr Hyde escaped from Dr Jekyll’s ...”

“... cheeks in the hope that he might open his eyes for a moment and say hello or goodbye’ – about Robert Graves in Majorca, and about an old lady singing: Forty-four and forty-five Am I dead or am 1 alive? I know but I don’t care. I know about despair. This intensely personal structure of image and reference ensures that Blackburn is always present in her ...”

“... as the currently accepted canon of excellence in post-1945 poetry: a canon consisting of Larkin, Hughes and Heaney. These three poets of the period have been most often treated to admiring essays both here and in the States, and it is these three who more than any of their contemporaries figure on the school and university syllabus. It may be said of course ...”

“... with these two books; even the names of the poets – Charles Tomlinson, or David Gascoyne, or Robert Conquest, or John Holloway, or Christopher Middleton, or Geoffrey Hill – stood for a world that was fully England. Looking at the list of poets was like having one’s Irish nose pushed up against the polished glass of a posh window in some imaginary Big ...”

“... liked the essay by Alistair Stead on the art of naming in the fiction of Henry Green. Glyn Hughes’s creative personality contrasts sharply with David Storey’s. Where Storey draws his imaginative sustenance from what’s under his nose, and achieves his subtlest effects through a notation of the banal which salvages our most routine acts from ...”

“... salutations will be discovered by the likes of Donald Davie (‘droning out his tosh’), Ted Hughes (‘boring old monolith, no good at all – not a single solitary bit of good’) and Anthony Powell, aka ‘the horse-face dwarf’. There is even a ‘Hi, Ian’: he calls me ‘the Kerensky of poetry’. Not too bad, I thought at ...”