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“... back in a tradition descending from 17th-century Anabaptists and Ranters, of Ezra and Isaiah, of John Bunyan, of the New Jerusalem, of watchwords from the walls of Zion, of ancient prophecies, of the Whore of Babylon and the Beast, of the Land of Beulah, of blood on the walls of palaces, lambs entangled in thorns, and of ‘the old vail of the law, under ...”

“... start, we find Hepworth and the other carvers of her generation – Henry Moore, Ursula Edgcumbe, John Skeaping – making common cause with a slightly older cohort, Jacob Epstein, Eric Gill, Gaudier-Brzeska, Elsie Henderson, Alan Durst. In works produced both before and after World War One, they began to remake the look ...”

“... Did all Van Dyck’s male sitters really have the long-fingered, blue-veined hands that Lord John Stuart and his brother Lord Bernard share with the Abbé Scaglia and so many others? Were the hands of Rembrandt’s sitters really all solid and paw-like? Those of Jacob Trip, his wife, Margaretha de Geer, and Hendrickje ...”

“... seems to have shown that the Jesuit was right. Something must be said about the two men, Jacob Bernays and Mark Pattison, whose portrayal of Scaliger has held the field for more than a century. Pattison is now known mainly on account of his connection with the dreary first husband of Dorothea Brooke in Middle-march. It is no use Gordon Haight’s ...”

“... Jacob Epstein made, roughly speaking, three kinds of sculpture. There were busts and portrait heads in bronze, which pretty well everybody liked. I remember returning again and again to the photographs of them in his autobiography, particularly to the long-necked high-cheekboned girls who seemed as romantic as Picasso’s sad blue and pink people, but more substantial ...”

“... prolific: nobody could begin to say how many thousands of his pictures have survived, and how John Bonehill, the curator of this exhibition, decided on his final selection I can’t imagine. Sandby was also enormously versatile: he worked in watercolour, bodycolour (gouache) and oil, he etched, he was the first professional artist in Britain to work in ...”

“... the London pictures, paintings from 1618 through to the late 1620s, include religious subjects (St John on Patmos, The Immaculate Conception) and genre pieces (The Water-Seller of Seville, Kitchen Scene with Christ in the House of Martha and Mary). The genre pictures are lit, it seems, by an afternoon sunlight which penetrates dark rooms, strikes highlights ...”

“... loth to give up their frigged-out version of Rochester. Eleven years after Rochester’s death, Jacob Tonson exerted himself to bring out an authorised edition which contained 39 poems, all of which are probably authentic. Some of them, however, have been pruned, the texts of others have been drawn from the 1680 edition, while other poems published ...”

“... the legend of Lilith. In the 13th-century Spanish Treatise on the Left Emanation by Isaac ben Jacob ha-Kohen, Lilith is the wife of the demon archangel Samael, and the pair form a demonic counterpart to Adam and Eve. The text also mentions a daughter, Lilith the Maiden, ‘who is in the form of a beautiful woman from her head to her waist, and from the ...”

“... Circus and (making the most of the new colour technology) the snooker show Pot Black, as well as Jacob Bronowski’s The Ascent of Man. In 1969 Attenborough became director of programmes for both BBC1 and BBC2 and could probably have gone on to be director-general, but in 1973 he resigned to work on his own broadcasting projects. There must be millions of ...”

“... comfort, but a lot of it very attractive. I came to the reviews with no expert knowledge of what John Sutherland calls ‘the fiction industry’ and ‘the reviewing establishment’. His two excellent books, Fiction and the Fiction Industry (1978) and the recently published Best-Sellers *, have helped me greatly.Other People was published on 5 ...”

“... the years just after the Second World War he went regularly to Barney’s weekly salon at 20 rue Jacob. Inside the house, a cross between ‘a chapel and a bordello’, with a domed stained-glass ceiling and a ‘slightly Turkish quality’, there would be ‘a big buffet on the side with the most marvellous things – I mean the most delicious kinds of ...”

“... cheer to the rafters each time Germany scored a goal. 8 June. Spot the typo, spare the blush. John Vincent writes from the University of Bristol: ‘In your memorable diaries you quote Disraeli’s view of May 1881, a month after his death. Would that other historians had access to such primary sources!’ 14 June. Alan Bennett’s letter to the LRB about ...”

“... Martian perspective. The law allows no copyright in technique or device, any more than in ideas. (Jacob Epstein’s offence, allegedly, was to use forms of wording from The Rachel Papers.) The danger is that in this novel, with its elaborated and repeated effect, Amis seems, as Raine can occasionally seem, something of a one-trick pony. Other People has a ...”

“... Classical learning and history, has little taste. The standard biography of Joseph Scaliger is by Jacob Bernays (1855), who saw his hero as the man who, almost single-handed, succeeded in professionalising Classical studies. Scaliger’s two main interests were Classical philology and historical chronology – that is, the nuts, bolts and scaffolding of ...”