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“... his After London; or, Wild England (1885), through Ford and Lewis, to the drowned worlds of J.G. Ballard and Will Self, the dystopian multiverses of Michael Moorcock and China Miéville. Fredric Jameson, considering postmodernism, talks about the ‘hysterical sublime’: a sort of Gothic rapture in contemplation of lastness, the voluntary abdication of ...”

“... order of reviewers and interviewers, might look like this:FavourablePaul Ableman(Spectator)J.G. Ballard(Tatler)Helen Chislett(Company)Victoria Glendinning(Listener)Ian Hamilton(Sunday Times)Tim Heald(Now)Thomas Hinde(Sunday Telegraph)Bernard Levin(Sunday Times)Blake Morrison(TLS)John Nicholson(Times)Richard Rayner(Time Out)Anthony ...”

“... place. And that develops sometimes into the sort of thrill you get from Kafka, Lovecraft, Borges, Ballard, Dick: when a story of the inexplicable in a contemporary setting infects the real world with a fever of the uncanny. It’s one of the most difficult literary effects to achieve, and Priest’s hit rate is patchy. He’s obsessed with doppelgängers ...”

“... collapse. His unwillingness to offer himself as a tour guide in a disaster theme park, as J.G. Ballard once conceived of Africa, has given rise to impatience. On publication, The Black Man’s Burden raised a murmur of rebuke and perplexity, which is perhaps why Davidson seeks to clarify his position in The Search for Africa, by means of an introductory ...”

“... sprung up in Docklands, and downriver parts of London agreed to behave as if the fictions of J.G. Ballard were planning documents, the painter Gavin Jones, working covertly and alone, excavated a wartime bunker hidden beneath a grassy mound outside a block of council flats in Bow. He disguised the entrance with an upturned boat, ran out electrical cables and ...”

“... worlds’ leads Crary to turn to Thomas Pynchon, Philip K. Dick and J.G. Ballard.In 1982, Crary published a brilliant essay on horror movies, which he reads through Deleuze and Guattari (Anti-Oedipus appeared in English in 1977) and against Freud (psychoanalysis pervaded film theory in the 1970s and 1980s). ‘How often we still hear ...”

“... fascinated by their power, and needs something of it. In 1973, when he was 23, Amis reviewed J.G. Ballard’s Crash for the Observer. It was, he wrote, ‘heavily flawed’, though he refused to be shocked by it. In 1996 he praisingly reviewed David Cronenberg’s film of Ballard’s book for the Independent on ...”

“... frenzy of fashion editors waving their invitations, afraid, according to Brogue’s envoy, Bettina Ballard, ‘that someone might cheat them of their rights’. The romance of the New Look lay both in its strictures – the tightening of wartime dungarees and slacks to the line en huit and corolle; girdles and bustiers and envol drapings – and in the excess ...”