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“... and new homes springing up along the bypasses, but that is not how those years were remembered. As Alan Milward put it – and this is Hennessy’s underlying theme throughout – ‘the 1930s were now seen as wasted years. To ensure that there should be no further wasted years had become a historical imperative brooking no question, a ...”

“... Adah puts it, ‘to do her own phrases her own way’. But the publisher of In the Ditch, Barrie & Jenkins, home to P.G. Wodehouse, rejected it, and the manuscript languished, partly because of those phrases, some of them in the Igbo language she’d grown up speaking. (This wasn’t the only reason: Emecheta’s prose isn’t polished and her plots can be ...”

“... judgment of modern architecture – compared with such contemporaries as Alice Coleman, Simon Jenkins or Charles Windsor they are positively nuanced, and they wrote presciently of the social and architectural success of Goldfinger’s Trellick Tower in the early 1980s – their book also reflects a view that ‘almost everyone believed in and subscribed ...”

“... it came to the primary political battle of her life, which was to defeat socialism. When Simon Jenkins, then the editor of the Times, went to interview Thatcher at Chequers in the run-up to the leadership contest, he saw a copy of Heseltine’s latest book on the coffee table, stuffed with post-it notes. She told him she had been marking up what she called ...”

“... always came back for more. ‘When I’ve characterised Craig to colleagues and friends,’ Rob Jenkins, who worked with Wright in this period and now holds a senior position in Australia’s Westpac Bank, told me, ‘I’ve always described him as the most qualified person I’ve ever known. I’ve worked with other smart people but Craig has such a strong ...”

“... Notting Hill, in a rooming-house in Bedford Gardens, just off Kensington Church Street. My friend Alan worked for a travel company and their office was just round the corner. It was a different London then. Notting Hill was still a place of independent pubs and bookshops, and it had more danger and less of the gentility featured in the film Notting ...”