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One Night in Maidenhead

Jean McNicol, 30 October 1997

Noel Coward and Radclyffe Hall: Kindred Spirits 
by Terry Castle.
Columbia, 150 pp., £15.95, November 1996, 0 231 10596 7
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Your John: The Love Letters of Radclyffe Hall 
edited by Joanne Glasgow.
New York, 273 pp., £20, March 1997, 0 8147 3092 2
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Radclyffe Hall: A Woman Called John 
by Sally Cline.
Murray, 434 pp., £25, June 1997, 9780719554087
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... marriage plot’. As she says, the play works against the common Hollywood model characterised by Stanley Cavell as the ‘comedy of remarriage’. There is the quarrelsome bickering associated with the form, but no reconciliation. After Ruth is killed in a car accident intended by Elvira, who tampered with the car, to kill Charles, the two women form an ...

Is it Art?

John Lanchester: Video games, 1 January 2009

... stupid. Northrop Frye once observed that all conventions, as conventions, are more or less insane; Stanley Cavell once pointed out that the conventions of cinema are just as arbitrary as those of opera. Both those observations are brought to mind by video games, which are full, overfull, of exactly that kind of arbitrary convention. Many of these ...

Fathers Who Live Too Long

John Kerrigan: Shakespeare’s Property, 12 September 2013

Being and Having in Shakespeare 
by Katharine Eisaman Maus.
Oxford, 141 pp., £25, February 2013, 978 0 19 969800 4
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... preoccupation with property allows her to find a way between the psychoanalytic involution of Stanley Cavell, who argues that Lear puts love up for sale because he is ashamed of the excess of his feelings, and the sharp-edged view of Margreta de Grazia that by giving away his kingdom Lear is collapsing his own identity. A sweep through Holinshed and ...

An Elite Worth Joining

David Trotter: Preston Sturges, 13 April 2023

Crooked, but Never Common: The Films of Preston Sturges 
by Stuart Klawans.
Columbia, 366 pp., £22, January, 978 0 231 20729 4
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... will ‘veer’ from ‘biographical-psychological’ interpretation. Instead he means to follow Stanley Cavell in demonstrating that these films, like many others produced in the studio era, ‘can be understood to unfold like reasoned arguments about subjects of real concern. That is to say, they can be read’ – literally so, in fact, since we’ve ...

American Manscapes

Richard Poirier, 12 October 1989

Manhood and the American Renaissance 
by David Leverenz.
Cornell, 372 pp., $35.75, April 1989, 0 8014 2281 7
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... as platitude and otherwise invisible. With an important exception I will get to in a moment, Stanley Cavell seems to me right on target when he says in In Quest of the Ordinary that ‘I take it for granted that their thinking’ – he is referring also to Thoreau – ‘is unknown to the culture whose thinking they worked to found (I mean ...

The Sponge of Apelles

Alexander Nehamas, 3 October 1985

The Skeptical Tradition 
by Myles Burnyeat.
California, 434 pp., £36.75, June 1984, 0 520 03747 2
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The Modes of Scepticism: Ancient Texts and Modern Interpretations 
by Julia Annas and Jonathan Barnes.
Cambridge, 204 pp., £20, May 1985, 0 521 25682 8
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Skepticism and Naturalism: Some Varieties 
by P.F. Strawson.
Methuen, 98 pp., £10.95, March 1985, 0 416 39070 6
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Hume’s Skepticism in the ‘Treatise of Human Nature’ 
by Robert Fogelin.
Routledge, 195 pp., £12.95, April 1985, 0 7102 0368 3
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The Refutation of Scepticism 
by A.C. Grayling.
Duckworth, 150 pp., £18, May 1985, 0 7156 1922 5
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The Significance of Philosophical Scepticism 
by Barry Stroud.
Oxford, 277 pp., £15, July 1985, 0 19 824730 3
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... positions of Austin, Moore, Kant, Carnap and Quine, as well as in the diagnoses of its sources in Stanley Cavell and Thompson Clark. One could easily take issue with a number of Stroud’s specific claims. But the book is engaging because it is unusual to find a philosopher who is not so concerned with offering the final word on a problem, and who is ...

In Hyperspace

Fredric Jameson, 10 September 2015

Time Travel: The Popular Philosophy of Narrative 
by David Wittenberg.
Fordham, 288 pp., £18.99, March 2013, 978 0 8232 4997 8
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... becomes the logical extension of the time-travel narrative in that paradoxical sense in which, as Stanley Cavell so memorably put it, the world is viewed without myself. This is, then, how the structural/poststructural search for the decentred subject ended up, not with some impossible ‘death of the subject’, but rather in film theory, with the ...

Diary

Bernadette Wren: Epistemic Injustice, 2 December 2021

... principles of the institution were being disregarded? I imagined the kind of moral discussion, as Stanley Cavell describes it, in which the protagonists not only disclose and defend their positions to others, but most of all to themselves. We need help to see the implications of our conduct and our commitments. Angry and troubled GIDS staff would have ...

Art and Mimesis in Plato’s ‘Republic’

M.F. Burnyeat: Plato, 21 May 1998

... in these terms; absurd to insist that all we see and hear is singers playing their parts. As Stanley Cavell said in reply to a parallel suggestion about film: ‘You might as well tell me that I do not see myself in the mirror but merely see a mirror image of myself.’ It is this sense of being present at the events enacted on stage, not merely at ...

‘Mmmmm’ not ‘Hmmm’

Michael Wood: Katharine Hepburn, 11 September 2003

Kate Remembered 
by A. Scott Berg.
Simon and Schuster, 318 pp., £18.99, July 2003, 0 7432 0676 2
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... la différence’ means. There is a brilliant commentary on this scene (and much else) in Stanley Cavell’s Pursuits of Happiness, and somewhere among these thoughts about the goddess playing human is an answer to one of Cavell’s worries. ‘I sometimes feel Katharine Hepburn to lack a certain humour about ...

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