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Rosemary Hill, 2 December 1993

Karl Friedrich Schinkel: ‘The English Journey’ 
edited by David Bindman and Gottfried Riemann, translated by F. Gagna Walls.
Yale, 220 pp., £35, July 1993, 0 300 04117 9
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The Modernist Garden in France 
by Dorothée Imbert.
Yale, 268 pp., £40, August 1993, 0 300 04716 9
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... as surrealist. The patrons of Max Ernst and Buñuel, the de Noailles, commissioned a terrace from Robert Mallet-Stevens with rectangular windows in the surrounding wall framing ‘scenes’ in the landscape. These look the Picturesque round the last bend to its illogical conclusion. The natural landscape was now a series of ...

Weeding in the Nude

Ange Mlinko: Edna St Vincent Millay, 26 May 2022

Rapture and Melancholy: The Diaries of Edna St Vincent Millay 
edited by Daniel Mark Epstein.
Yale, 390 pp., £28, March, 978 0 300 24568 4
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... morning, lying there with a broken neck.Millay rose to fame while still in her twenties. She beat Robert Frost and Wallace Stevens for the Pulitzer Prize in 1923. Although she became a proselytiser in her last decade, devoted to progressive causes to which she fitted her verses (‘not poems, posters,’ she admitted), she ...

What is the burglar after?

T.J. Clark: Painting the Poem, 6 October 2022

... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...

Asking to Be Looked at

Wayne Koestenbaum, 25 January 1996

Mapplethorpe: A Biography 
by Patricia Morrisroe.
Macmillan, 461 pp., £20, September 1995, 9780333669419
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Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe 
by Arthur Danto.
California, 206 pp., £20, October 1995, 0 520 20051 9
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... New York’s Guggenheim Museum contains in an annex a covert Robert Mapplethorpe gallery, a sober exhibition space which, like the masterpieces of its namesake, seems consecrated to the unusual and the mortifying. The current show – Joel-Peter Witkin’s photographs of corpses, amputees and hermaphrodites – holds a grotesqueness sufficient to remind the visitor of how sweet, how antique already, the infamous Mapplethorpe images have become ...

Sterling and Strings

Peter Davies: Harold Wilson and Vietnam, 20 November 2008

... like the word “dissociate”’, the vice president, Hubert Humphrey, and the defence secretary, Robert McNamara, confirmed that ‘the prime minister’s position was well understood’ and ‘there would be no hard feelings.’ As the war in Vietnam progressed, however, opposition among the public and inside the Labour Party increased, and by late 1967 ...

The Poetry of John Ashbery

John Bayley, 2 September 1982

Shadow Train 
by John Ashbery.
Carcanet, 50 pp., £3.25, March 1982, 0 85635 424 4
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... without any expectation of getting beyond the effect. Most, though by no means all, of Wallace Stevens’s poetry works on this principle. In Wordsworth the language of much of the Prelude is very different from that of a narrative poem like ‘Resolution and Independence’. Criticism of poetry in American universities, dominated as it is by the writings ...

Accidents of Priority

John Redmond, 22 August 1996

Can You Hear, Bird 
by John Ashbery.
Carcanet, 128 pp., £9.95, February 1996, 9781857542240
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The Dream of the Unified Field: Selected Poems 
by Jorie Graham.
Carcanet, 220 pp., £12.95, March 1996, 1 85754 225 8
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Selected Poems 
by Barbara Guest.
Carcanet, 220 pp., £12.95, May 1996, 1 85754 158 8
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Selected Poems 1976-1996 
by George Szirtes.
Oxford, 126 pp., £9.99, March 1996, 0 19 283223 9
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Adam’s Dream 
by Peter McDonald.
Bloodaxe, 64 pp., £6.95, March 1996, 1 85224 333 3
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... around us. Nobody is more sensitive than Ashbery to such accidents. Ashbery has followed Wallace Stevens in centring the poems on the flow of his thought, the Niagara-like rush and hum of his brain. But being less vain and more worldly than Stevens, he has mostly avoided narcissism – unless one imagines a Narcissus whose ...

O Harashbery!

C.K. Stead, 23 April 1992

The Selected Poems of Frank O’Hara 
edited by Donald Allen.
Carcanet, 233 pp., £18.95, October 1991, 0 85635 939 4
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Flow Chart 
by John Ashbery.
Carcanet, 213 pp., £16.95, September 1991, 0 85635 947 5
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... assistant curator at New York’s Museum of Modern Art when Jackson Pollock, Willem de Kooning and Robert Rauschenberg were making Action Painting famous; and he and John Ashbery, his friend and contemporary, must have felt their poetry belonged in tandem with that school. O’Hara’s ‘Why I am not a painter’ doesn’t tell us why he is not a painter, but ...

Paradise Lost

Nicholas Everett, 11 July 1991

Omeros 
by Derek Walcott.
Faber, 325 pp., £17.50, September 1990, 0 571 16070 0
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Collected Poems 
by Norman MacCaig.
Chatto, 456 pp., £18, September 1990, 0 7011 3713 4
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The Mail from Anywhere 
by Brad Leithauser.
Oxford, 55 pp., £5.95, September 1990, 0 19 282779 0
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An Elegy for the Galosherman: New and Selected Poems 
by Matt Simpson.
Bloodaxe, 128 pp., £6.95, October 1990, 1 85224 103 9
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... process by avoiding paraphrasable meaning altogether. One need only point to the work of Wallace Stevens or John Ashbery to show how successfully some of it sustains our expectations while ultimately refusing to deliver the semantic goods. Having extracted a poem’s point, runs the usual defence of such teasing evasions, readers will have no further use for ...

Terrible to be alive

Julian Symons, 5 December 1991

Randall Jarrell: A Literary Life 
by William Pritchard.
Farrar, Straus, 335 pp., $25, April 1990, 0 374 24677 7
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Randall Jarrell: Selected Poems 
edited by William Pritchard.
Farrar, Straus, 115 pp., $17.95, April 1990, 0 374 25867 8
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... began with, or endured through, the appalling This Side of Paradise to the triumph of Gatsby. Stevens, Cummings, Pound, Crane, Dos Passos: their merits and possibilities of development were noted at an early stage in their careers. For two decades or a little more, Wilson was almost infallibly discerning about recent American writers, about their British ...

All the girls said so

August Kleinzahler: John Berryman, 2 July 2015

The Dream Songs 
by John Berryman.
Farrar, Straus, 427 pp., £11.99, October 2014, 978 0 374 53455 4
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77 Dream Songs 
by John Berryman.
Farrar, Straus, 84 pp., £10, October 2014, 978 0 374 53452 3
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Berryman’s Sonnets 
by John Berryman.
Farrar, Straus, 127 pp., £10, October 2014, 978 0 374 53454 7
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The Heart Is Strange 
by John Berryman.
Farrar, Straus, 179 pp., £17.50, October 2014, 978 0 374 22108 9
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Poets in their Youth 
by Eileen Simpson.
Farrar, Straus, 274 pp., £11.50, October 2014, 978 0 374 23559 8
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... Partisan Review, the Kenyon Review and Sewanee Review, with a good deal of auto-canonising. Robert Lowell, almost by default it seemed, was ceded pride of place, the ‘most important American poet now at work’. Lowell and Randall Jarrell, roommates at Kenyon College in the 1930s, and to a lesser extent Berryman too, were big on rating and ...

That Wooden Leg

Michael Wood: Conversations with Don Luis, 7 September 2000

An Unspeakable Betrayal: Selected Writings of Luis Buñuel 
translated by Garrett White.
California, 266 pp., £17.50, April 2000, 0 520 20840 4
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... in Hollywood in 1972. Fifteen famous directors are there, including John Ford, Rouben Mamoulian, Robert Mulligan, George Stevens, Robert Wise, William Wyler, Billy Wilder. Hitchcock sits next to Buñuel, says very little, then at one point puts an arm round his companion’s shoulder and ...

Committee Speak

Robert Alter: Bible Writers, 19 July 2007

Scribal Culture and the Making of the Hebrew Bible 
by Karel van der Toorn.
Harvard, 401 pp., £22.95, March 2007, 978 0 674 02437 3
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... eras have been fond of rare words, as the recent examples of Mallarmé, T.S. Eliot and Wallace Stevens will suggest.) Finally, it does no justice whatever to the richness of this particular text to think, for example, of the transcendent meteorological and zoological panorama of the Voice from the Whirlwind as a ‘compendium list’. We shall never know ...

On not liking Tsvetaeva

Clarence Brown, 8 September 1994

Marina Tsvetaeva: Poetics of Appropriation 
by Michael Makin.
Oxford, 355 pp., £40, January 1994, 0 19 815164 0
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Tsvetaeva 
by Viktoria Schweitzer, translated by Robert Chandler, H.T. Willetts and Peter Norman.
Harvill, 400 pp., £20, December 1993, 0 00 272053 1
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... woman Makes the rest look down. Wallace Stevens I’ve never much liked Tsvetaeva. A churlish way to begin: I do so simply because I think that, in not liking her very much, I am at one not only with much of her posterity but with almost all her contemporaries. On the way to hazarding some unpopular ...

Main Man

Michael Hofmann, 7 July 1994

Walking Possession: Essays and Reviews 1968-1993 
by Ian Hamilton.
Bloomsbury, 302 pp., £20, May 1994, 0 7475 1712 6
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Gazza Italia 
by Ian Hamilton.
Granta, 188 pp., £5.99, May 1994, 0 14 014073 5
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... Poetry pro that I hardly am, I feel that, and I guess Ian Hamilton does too. His biography of Robert Lowell came out in 1982 (at the time, I was half-seriously trying to write a PhD on him). Hamilton, as he writes in ‘A Biographer’s Misgivings’, the first piece in Walking Possession, knew his subject fairly well: ‘I had seen quite a lot of Lowell ...

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