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Some Names for Robert Lowell

Karl Miller, 19 May 1983

Robert Lowell: A Biography 
by Ian Hamilton.
Faber, 527 pp., £12.50, May 1983, 0 571 13045 3
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... Robert Lowell is not difficult to represent as the mad poet and justified sinner of the Romantic heritage. He is the dual personality who breaks the rules, kicks over the traces: he did this in the course of a series of manic highs which came and went from maturity, if not before, until the end of his life in 1977 at the age of 60 ...

On Loathing Rees-Mogg

Nicholas Spice, 21 February 2019

... the exception to the adage ‘Nomen est omen’: she should have been called Theresa Must. Pace Robert Frost, something there is in me that doesn’t love a wall, that wants it down, and I suppose many Remainers feel the same. For Leavers – being remainers at heart, who find safety in permanence, who are perhaps a little prone to agoraphobia – the ...

Diary

Andrew O’Hagan: Orders of Service, 18 April 2019

... account of her life by Bamber Gascoigne, and then David Attenborough’s reading of two poems by Robert Frost. There appears to have been a Feddenesque delicacy and some well-placed dabs of humour to the whole affair. ‘Very Mary,’ Catherine said. The phrase ‘order of service’ isn’t Catholic. I never heard it in the chapels of my youth (we had ...

Heavy Lifting

John Palattella: John Ashbery, 7 June 2001

Other Traditions 
by John Ashbery.
Harvard, 168 pp., £15.50, October 2000, 0 674 00315 2
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John Ashbery and American Poetry 
by David Herd.
Manchester, 245 pp., £45, September 2000, 0 7190 5597 0
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... 43. And there’s Schubert, who in the mid-1930s enrolled in Amherst College (where he befriended Robert Frost), dropped out, rematriculated and dropped out again; who suffered bouts of depression and underwent electric-shock treatment in the early 1940s; and who died of tuberculosis in 1946 at the age of 33. As for Ashbery, he worked on the Norton ...

What Life Says to Us

Stephanie Burt: Robert Creeley, 21 February 2008

The Collected Poems of Robert Creeley: 1945-75 
California, 681 pp., £12.55, October 2006, 0 520 24158 4Show More
The Collected Poems of Robert Creeley: 1975-2005 
California, 662 pp., £29.95, October 2006, 0 520 24159 2Show More
On Earth: Last Poems and an Essay 
by Robert Creeley.
California, 89 pp., £12.95, April 2006, 0 520 24791 4
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Selected Poems: 1945-2005 
by Robert Creeley, edited by Benjamin Friedlander.
California, 339 pp., $21.95, January 2008, 978 0 520 25196 0
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... For a spell during the 1960s, Robert Creeley’s ‘I Know a Man’ may have been the most often quoted, even the most widely known, short poem by a living American. Here is the poem: As I sd to my friend, because I am always talking, – John, I sd, which was not his name, the darkness sur- rounds us, what can we do against it, or else, shall we & why not, buy a goddamn big car, drive, he sd, for christ’s sake, look out where yr going ...

Diary

Ann Geneva: Celestial Lunacy, 26 November 1987

... signalled his intentions to his far-flung sublunar creatures. No need for poets then to ask, with Robert Frost, whether design governed in so small a thing as a royal bastard’s rebellion or a reflagged Kuwaiti oil ship. In fact, neither Lilly nor Ashmole would have needed to wonder whether such seemingly minor events might escalate into large and then ...

A Nony Mouse

Ange Mlinko: The ‘Batrachomyomachia’, 16 July 2020

‘The Battle between the Frogs and the Mice’: A Tiny Homeric Epic 
by A.E. Stallings.
Paul Dry, 109 pp., £19.99, October 2019, 978 1 58988 142 6
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Like 
by A.E. Stallings.
Farrar, Straus, 160 pp., £9.99, October 2019, 978 0 374 53868 2
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... are fond are perhaps too blithely rinsed off. Children betray their mothers. I thought of Robert Frost, in a poem like ‘Design’, sidling up to the reader before shivving him with ‘design of darkness to appal’. Much of Stallings’s work can seem like light verse that suddenly appals: solid, foundational stanzas that chat directly with ...

Weeding in the Nude

Ange Mlinko: Edna St Vincent Millay, 26 May 2022

Rapture and Melancholy: The Diaries of Edna St Vincent Millay 
edited by Daniel Mark Epstein.
Yale, 390 pp., £28, March, 978 0 300 24568 4
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... morning, lying there with a broken neck.Millay rose to fame while still in her twenties. She beat Robert Frost and Wallace Stevens for the Pulitzer Prize in 1923. Although she became a proselytiser in her last decade, devoted to progressive causes to which she fitted her verses (‘not poems, posters,’ she admitted), she was still in demand for ...

Mr and Mrs Hopper

Gail Levin: How the Tate gets Edward Hopper wrong, 24 June 2004

Edward Hopper 
edited by Sheena Wagstaff.
Tate Gallery, 256 pp., £29.99, May 2004, 1 85437 533 4
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... reads: ‘According to Jo’s diary Hopper suffers from depression and frequently reads poems of Robert Frost.’ The audio tour claims that Two Comedians (1966), Hopper’s last canvas, is ‘unusually autobiographical’ and demonstrates ‘the extent to which Hopper’s work was a collaborative process with his wife as model, muse and ...

Mortal, can these bones live?

Anne Enright: Marilynne Robinson’s Perfect Paradox, 22 October 2020

Jack 
by Marilynne Robinson.
Virago, 309 pp., £18.99, September 2020, 978 0 349 01181 3
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... racism. Her father is a preacher in Memphis; Jack’s father is a preacher in Iowa: he is the Robert Boughton we’re introduced to in Gilead (2004), the first novel in the series, the broken-hearted apologist for his irredeemably wayward son. The fact that the characters live on either side of a racial divide is less important to their conversation in ...

A Hammer in His Hands

Frank Kermode: Lowell’s Letters, 22 September 2005

The Letters of Robert Lowell 
edited by Saskia Hamilton.
Faber, 852 pp., £30, July 2005, 0 571 20204 7
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... Writing letters was not the work Robert Lowell thought himself born to do, but what with one thing and another – good friends, a lively mind, deep troubles – he wrote a great many of them, demonstrating at considerable length ‘the excitement of his intelligence and the liveliness of his prose’. These are the words of Saskia Hamilton, the poet who has undertaken the arduous and complicated task of editing this selection ...

Truly Terrifying Things

Walter Nash, 10 January 1991

51 Soko: To the Islands on the Other Side of the World 
by Michael Westlake.
Polygon, 258 pp., £8.95, September 1990, 0 7486 6085 2
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Behind the Waterfall 
by Chinatsy Nakayama.
Virago, 213 pp., £12.99, November 1990, 1 85381 269 2
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Dirty Faxes, and Other Stories 
by Andrew Davies.
Methuen, 243 pp., £13.99, October 1990, 0 413 63270 9
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... that his readers read; who steps out of one story and into the next with side-glances at poems by Robert Frost, or who decorates a laconic recital (called ‘Moving the tables’) with parodic swatches of Hemingwayese. The verbal sportiveness can become obtrusive, but one accepts it as a token or offshoot of the creative energies of a very gifted ...

All the difference

Avi Shlaim, 25 June 1992

The Road Not Taken: Early Arab-Israeli Negotiations 
by Itamar Rabinovich.
Oxford, 259 pp., £19.50, December 1991, 0 19 506066 0
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... 1949 and 1952 with Syria, Jordan and Egypt respectively. The title of the book, like the poem by Robert Frost which inspired it, is rather ambiguous, perhaps deliberately so. Rabinovich declines to identify those who decided not to take the road towards peace. He may be intrigued by Frost’s suggestion that the ...

Such a Fragile People

Amit Chaudhuri, 18 September 1997

Desert Places 
by Robyn Davidson.
Penguin, 280 pp., £7.99, June 1997, 9780140157628
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... just happened, and then develop it into a metaphor for an existential quest. Her title, taken from Robert Frost (‘I have it in me so much nearer home/To scare myself with my own desert places’), shifts the focus from the real journey to the inner one. In a Prelude to the book, she seems to allude to Frost’s ‘The ...

And They Prayed

Chauncey Loomis, 27 November 1997

The Perfect Storm: A True Story of Man Against Nature 
by Sebastian Junger.
Fourth Estate, 227 pp., £14.99, August 1997, 1 85702 720 5
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... whether we want the disaster to have come about by design or not. In his sonnet ‘Design’, Robert Frost tells of finding a dreadful little scene on a morning walk: a fat white spider on a white flower holding up a dead moth – ‘assorted characters of death and blight’, he calls them. He asks why that particular flower, normally blue, was ...

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