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Scoop after Scoop

Ian Jack: Chapman Pincher’s Scoops, 5 June 2014

Dangerous to Know: A Life 
by Chapman Pincher.
Biteback, 386 pp., £20, February 2014, 978 1 84954 651 5
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... has lasted ever since. But in his warm evocation of this boyhood, the kind you might imagine a John Buchan hero to have had, there is also (and not for the last time) a utilitarian chill. Aged 13, he allows himself to be seduced by the household’s part-time maid, aged 16, whom he finds in his bedroom in an inviting posture. Never one to waste an ...

Brideshead and the Tower Blocks

Patrick Wright, 2 June 1988

Home: A Short History of an Idea 
by Witold Rybczynski.
Heinemann, 256 pp., £12.95, March 1988, 0 434 14292 1
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... A fondly remembered place of white raspberries, fountains and rounds of halma played with Nanny Hawkins, the country house can hardly be expected to survive in a modern world where, even before the Army came along and turned its landscaped valley into an assault course, one traditional building after another was being razed to make way for ‘blocks of ...

Neutered Valentines

David Bromwich: James Agee, 7 September 2006

‘Let Us Now Praise Famous Men’, ‘A Death in the Family’, Shorter Fiction 
by James Agee.
Library of America, 818 pp., $35, October 2005, 1 931082 81 2
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Film Writing and Selected Journalism 
by James Agee.
Library of America, 748 pp., $40, October 2005, 1 931082 82 0
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Brooklyn Is 
by James Agee.
Fordham, 64 pp., $16.95, October 2005, 0 8232 2492 9
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... the Sierra Madre, and a friendly profile of its director in Life, led to an invitation to work for John Huston. He wrote an adaptation of Stephen Crane’s story ‘The Blue Hotel’, which Huston did not use but liked enough to give him another project, The African Queen. Later Agee collaborated with Charles Laughton on the screenplay of Davis Grubb’s ...

Jungle Joys

Alfred Appel Jr: Wa-Wa-Wa with the Duke, 5 September 2002

... mainly of blacks (including Ellington, Louis Armstrong, Fletcher Henderson, Art Tatum, Coleman Hawkins and Cab Calloway). Unlike his friend Léger, who merely adapted ethnological textbook drawings for his ‘primitive’ stage designs, Brancusi had finally internalised it all, had become an African, if you will, at the age of 62 – a tribe of one, free ...

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