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“... application, always tied, seldom happily, to a university department, and agonising over a book. John Updike, who had a modest two wives and wrote 63 books, was, in a way, worldlier and more comfortable, finding nests at the New Yorker and the New York Review of Books that he never left. These writers are dead now, and the only thing that can be said with ...”

“... de Man and others, seems to have brought to an abrupt end the fashion for narrative poetry. Berryman and Lowell were the great contemporary narrators, compulsive tellers of stories about the self, and their style was sharply and wholly comprehensive, perfectly expressing what Berryman’s mentor R.P. Blackmur called ...”

“... a serial biographer of poets (he has notched already, among Americans, Williams, Crane, Lowell and Berryman), I don’t feel much the better for it. I got more, qua biography, from the bare bones of the 11-page chronology in the Library of America edition of Stevens; or from the brisk 15-page sketch called ‘Wallace Stevens: A Likeness’ by his previous ...”

“... war broke out, Cantos 52 to 71, known to initiates as the Chinese History Cantos followed by the John Adams Cantos, seem to him as to many of us wrongly conceived as well as sloppily executed. His dislike of them takes a special turn, however, when for the failure of the Adams sequence he blames John Adams, not ...”

“... Montaigne, but was curiously silent about his many thefts from Burton. They were first spotted by John Ferriar, a Manchester physician, who in 1793 published a sympathetic but puzzled essay on Sterne’s indebtedness to the Anatomy: ‘I do not mean to treat him as a Plagiarist,’ he writes. ‘I wish to illustrate’ – to celebrate – ‘not to degrade ...”

“... Lowell is only to be so described when he is writing at his lowest ebb and, rather than leave John Berryman out altogether, I have selected work by him which may well though not indisputably be judged unrepresentative – since if poetry is a public matter it is not the place for private revelations, and if it is not a public matter it has no place ...”

“... firecracker, because I have to identify myself with everyone in it, including the corpses, pal. John Berryman, Dream Song When we first meet him in The Sportswriter (1986), Frank Bascombe is 38 and trying to fend off the ‘dreaminess’ that has afflicted him since Ralph, his first son, died of Reye’s syndrome four years earlier. Now divorced from ...”

“... a train, which he – who once walked to Stuttgart – couldn’t possibly have afforded to take. John Berryman wrote: ‘The Bachgesellschaft girdles the world.’ So it ...”

“... protective suavity, the counterfeit of impeccable logic or a minute calibration of fashion. John Berryman once said to a friend: ‘Doesn ‘t reading Stendhal make you feel intelligent!’ The same is true of Hazlitt; and the justified praise of Paulin’s book is that the compliment to our amour-propre survives his exploration to a generous ...”

“... a year as Literary Editor for the Nation, doing so well at matching books and reviewers that John Crowe Ransom said he deserved a Pulitzer Prize for it. ‘Not since Poe had an American poet laid down the law in quite such a carnival spirit.’ In those days of talented amateurs the Eng Lit business was still the Gay Science. Used by Nietzsche, and as a ...”

“... it derives somewhat from Yeats and from Eliot, and in this country friends of mine, Allen Tate and John Crowe Ransom. And a rather strange position was built up. There were great arguments that poetry was a form of knowledge, at least as valid as scientific knowledge, and in certain ways more so, because it didn’t abstract from experience. We claimed any ...”

“... him. Jarrell became critic, adviser and friend of the best poets in his own generation, Lowell and Berryman among them. ‘He was Randall Jarrell/ and wrote a-many books – he wrote well,’ run a couple of pretty bad lines in a Berryman ‘Dream Song’. Lowell also paid tribute to his friend’s passionately disinterested ...”

“... But even ‘figure’ seems too fixed a term for the melancholic, at times clownish narrator. John Berryman – one of Housman’s most creative readers, working him deeply into the fabric of The Dream Songs – catches something Housmanish in his prefatory disclaimer: ‘The poem then, whatever its wide cast of characters, is essentially about an ...”

“... for class insecurity. This underdog cockiness persisted for decades, serving as the driver of John Travolta’s sidewalk strut in 1977’s Saturday Night Fever, where disco prince Tony Manero eventually tires of Bay Ridge Brooklyn and his mooky friends as the magic spires of Manhattan beckon. A product of the jukebox era, Podhoretz belonged to an older ...”

“... for poetry that was really about something, he was in fact thinking of a poetry – Lowell’s, Berryman’s and Plath’s – obsessed with its own ego. In their case, a regal obsession. In Contemporary British Poetry the materials of fiction are put to quite a different use: the tyranny of the self has been replaced by a meditative sense of the texture of ...”