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“... including Piano (to quash the perfectly sound rumour that the partnership was breaking up) and Jack Zunz, chairman of Arups. During the discussions Ian Finlay, the Deputy Chairman of Lloyd’s, met Marco Goldschmied, a partner in the practice, in the washroom. He asked if Rogers would give them something that looked like the Beaubourg. Goldschmied said ...”

“... haue I feene, Flatter the mountaine tops with foueraine eie, Kiffing with golden facc the meddowes greene; Guilding pale ftreames with heauenly alcumy: Anon permit the bafeft cloudes to ride, With ougly rack on his celeftiall face, And from the for-’orne world his vifage hide Stealing vn eene to weft with this difgrace: Euen fo my Sunne one early morne did ...”

“... to a correspondent who had theories of his own. ‘Dear Mr Riches,’ the letter says, Frank Greene, one of my nephews, was with us the other day and I told him of our discussion about ‘Will of the Mill’. He at once, without any hesitation, announced that he agreed with your reading of it. He was not content with announcing his own opinion, but ...”

“... chapter to the ways in which the plays of the period – such as the anonymous comedy George a Greene, the Pinner of Wakefield (c.1590), Antony Munday’s two-part Downfall and Death of Robert Earl of Huntingdon (1598) and Jonson’s unfinished Sad Shepherd – remember or re-enact the paradigmatic story of Robin Hood. In George Peele’s Edward I, the ...”

“... the avant-garde. As a heavyweight boxer, his career peaked in 1916, when he fought the formidable Jack Johnson in Barcelona. He lasted six rounds. These two strands of Cravan’s career are not as diverse as one might think: his stance as a writer was extremely combative – confrontation and ‘anti-art’ polemic were his métier. As the poet Mina Loy, who ...”

“... with the great producers of the day who used him as they liked but enjoyed his ambience (Jack Warner, Samuel Goldwyn, Darryl Zanuck, Harry Cohn); warmer if not closer friendships with Cocteau and Renoir, Hemingway and Sinatra; and the frequent company of younger men in theatre and the movies who emulated him (Kenneth Tynan, Peter Bogdanovich). All ...”

“... time she appears in The Prince and the Showgirl, she lights up the scene (the cinematographer Jack Cardiff said that she glowed). That is just one of the things about her that makes her inimitable – which is why the recent My Week with Marilyn could not but fail somewhere as a film. But the question of what – in the aura that surrounds her – she was ...”

“... the Stage By Mr Theobald’. The 40-year-old Theobald was an attorney by training, and a literary jack-of-all-trades by profession, but his standing as a Shakespeare expert was high. The previous year he had published an impressive book, Shakespeare Restored, challenging what he saw as the errors and complacencies of Alexander Pope’s 1725 edition of the ...”

“... Bird used to do a very good Harold Wilson and after one show Ned was summoned by Hugh Carleton-Greene, the director-general, and told that the prime minister was threatening legal action. ‘Tell him to go ahead,’ said Ned. ‘Say that just because he’s prime minister he shouldn’t feel he ought not to sue.’ No more was heard of the matter. Ned was ...”