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“... As soon as they got back from their honeymoon Monroe told a friend, ‘I’m going to marry Arthur Miller,’ and eventually she did. She left DiMaggio when he beat her up after she’d filmed the scene in The Seven-Year Itch where her dress is blown up over her head as she stands on a subway grate. Yet, almost incredibly, DiMaggio does not come off worst in ...”

“... European) and ‘Modern American Fiction’ (a list that includes Burroughs, Creeley, Henry Miller and Hubert Selby Jr), but that seems to be the only time Quin’s novels were formally categorised as experimental. Paddy Kitchen was right when she wrote (in a piece in the London Magazine in 1979) that Quin ‘was not one of those authors who ...”

“... I think, successfully followed in the footsteps of other Nihonjinron-bashers such as Roy Andrew Miller, the author of Japan’s Modern Myth (1982), in proving that the Japanese are not as unique as they think. This, in itself, would not be proving very much. What else does Dale have to say? Two things, it seems. First, that the Nihonjinron theorists help ...”

“... cast members) and the other three-quarters of the Beyond the Fringe team (Alan Bennett, Jonathan Miller and Dudley Moore), who would go on to present their own take on the nuclear threat, in a sketch called ‘Civil War’.In that sketch, a worried Moore listens trustingly as a succession of posh-voiced government spokesmen seek to reassure him that all the ...”

“... are all right with the present reviewer. His effronteries and those of his friends – the gambler Ian Maxwell-Scott once swept up the offering after mass at Brompton Oratory and deposited a cheque – can be amusing. But it is easy to repress a third cheer, and even a second. All is not well with Aspinall. Masters writes that when Aspinall was young his ...”

“... the speakers do not listen to one another. Of the art of Ford’s friend and collaborator, Conrad, Ian Watt writes in his recent book on that writer’s 19th-century texts: ‘The need to derive moral meaning from physical sensation partly arises from the fact that both the impressionists and the symbolists ... proscribed any analysis, prejudgment, or ...”

“... Reveille with Beverly is a now largely forgotten 1943 film starring Ann Miller and the great Franklin Pangborn. Worked up from an equally forgotten US radio series it’s a corny but percipient tale about a spunky young DJ who’s hep to the vital Swing rhythm the kids all dig, and the stuffy station owner who wants no part of her indecorous jive ...”

“... talents: but she outdid them in using it, most touchingly of all, to arrange her death. Betty Miller intuited this, some years back, in her excellent little book on Browning. Elizabeth herself intuited that her husband and son, tremendous and eupeptic pals as they were, had really no further use for her; and in a sense they confirmed this by their calm ...”

“... Hurricane Bird; Gaviota Oscura; Gaviota Monja; Oiseau Fou; Touaou. But when the keen birdwatcher Ian Fleming needed a name that sounded as ordinary as possible, he had to look no further than the title page of Bond’s great work. Why does the name of an actual ornithologist sound so right as the name of a fictional spy? Why couldn’t Fleming have used ...”

“... its limits.’ In my own time, punk and its aftermath saw a blizzard of French namedrops: Thomas Miller – the frontman of Television, who died recently – became Tom Verlaine, while his sometime girlfriend Patti Smith hollered ‘Go Rimbaud, go Rimbaud!’ and his pal Richard Hell traded Huysmans lines with Lester Bangs. One of the founding members of the ...”

“... late 1960s Cambridge before setting up shop as a pen for hire in London. Working chiefly for Karl Miller, Terence Kilmartin and Ian Hamilton, on the Listener, the Observer and the New Review, he quickly made a name for himself as a versatile, witty literary journalist with a non-waffling mode of address that was thought to ...”

“... politically conservative, defensively étatiste, it seemed in the Sixties to be everything Karl Miller claimed – and not all that far removed from the Scottish situation. Yet within a decade it was to provide proof that a reformist intelligentsia could create its own economic and political dynamic. Miller’s position ...”

“... economy, politics and culture by social historians as intelligent as John McEwen, John Foster and Ian Carter, writers as good as John McGrath and Tom Nairn, politicians as energetic as Robin Cook and Jim Sillars. To write for it felt like good militant fun (I contributed the piece on ‘The Radical Literary Tradition’) – a fling at the Establishment which ...”

“... party without quickly being disgusted by its humbug or convulsed by its absurdity. Jonathan Miller was surely wrong when he said to Thompson: ‘The idea that Peter had an anarchic, subversive view of society is complete nonsense. He was the most upstanding, traditional upholder of everything English and everything Establishment.’ My own experience ...”

“... No sooner had he achieved some architectural renown than he was caricatured, at least in name, as Ian Fleming’s villain. Sensing anti-semitism, he sued and was placated out of court with his costs, an agreement that ‘Auric’ always be used in front of the villain’s name, and half a dozen copies of the offending novel. Which didn’t stop a stream of ...”