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“... censor, Will Hays, advised them to drop the project, the treatment was sold to an agent, Al Rosen. He was warned by Hays’s successor, Breen, that given the ‘strong pro-German and anti-Semitic feeling in this country’, such a movie would be counterproductive: ‘The charge is certain to be made,’ Breen wrote, ‘that the Jews, as a class, are ...”

“... more choice – the more users, the more music there was to be had. On 24 February 2000, Hilary Rosen of the Recording Industry Association of America convened a meeting of major record label bosses. She asked executives to name a song, any song, and her staff would find it on Napster. They even managed to find a track that hadn’t yet been ...”

“... not 1912; Ramsay MacDonald and Kathleen Courtney and Willoughby Dickinson are mis-spelt; Andrew Rosen gets the wrong Christian name on page 29; and the misleading term ‘radical suffragist’ is used to denote Lancashire working-class non-militants – a term not used at the time, if only because these women did not constitute a distinctive group and were ...”

“... the Vietnamese might get to hear about this riot and somehow, I don’t know, take heart. Mike Rosen, who was arrested and roughed up along with one or two other people who might be embarrassed if I printed their names today, wrote a rather fine agitprop poem making this simple point. It was a beautiful spring day and as one looked up from the ...”

“... in question hadn’t violated Twitter’s terms of use; they weren’t shut down. In 2013, Jeffrey Rosen argued in the New Republic that the reason Twitter doesn’t take action in these cases is that it conforms to ‘the American free-speech ideal’ and has ‘explicitly concluded that it wants to be a platform for democracy rather than civility’. This is ...”

“... when Auschwitz was abandoned; he survived the freezing cattle cars that took him first to Gross-Rosen and then to Dachau. In one of those explosive tiny details that would seem too crazy in fiction, we are told that he was treated for an ear infection in the infirmary at Dachau a few weeks before the liberation. Most prisoners survived only one or two ...”

“... the seductive physical power of music with the intensity and the range of Mozart,’ says Charles Rosen in The Classical Style. Glenn Gould thought Mozart’s music was ‘hedonist’. The immediacy of Mozart’s music can be spooky. That simple four-note figure repeated twice, the viola motif in the slow movement of the G minor String Quintet, reaches out at ...”

“... When, as a vaguely anti-authoritarian ex-service undergraduate, I first studied Herodotus seriously in the years immediately following the Second World War, my overriding impression was of a man both broad-minded and cosmopolitan; fascinated by the infinite varieties of human nature; surprisingly alert to the influence of women in history, which I’ve always thought of as the subtext, by no means always sexual, of so much public action; appreciative of thaumata, marvels, wherever they might be found (parallels with the New World suggested themselves); and open-minded about religion ...”

“... of ‘stories for boys’. In a letter he described a character he was developing, Countess von Rosen, as ‘a jolly, elderly – how shall I say? – fuckstress’. Well, I suppose that is pretty narrow, but Stevenson’s lack of good women characters did not, weirdly, prevent his writing from having a strong flavour of femininity. Stevenson’s style ...”

“... of Haydn’s material, where its handling is so far from childish. Here he anticipates Charles Rosen’s Classical Style, which has always seemed to be a brilliant codification and tidying up of the rich overview implicit in Tovey’s sprawling oeuvre, in which extraordinary hints and insights are thrown out to left and right in the most hurried and ...”

“... you tell parents what a fronted adverbial is?’ an article by the children’s writer Michael Rosen demanded of one of Gove’s successors in the job.Before March 2020, I was unfamiliar with the phenomenon of ‘guided reading’. My daughter (aged eight during the school closures that year) was sometimes required to read the same short passage five days ...”

“... opening is made to something new. The final movement begins with a series of light, open F octaves, from the bottom of the keyboard to the top, as if the piano were being warmed up (not unlike the way in which the first movement of the Ninth Symphony seems to emerge from layered fourths and fifths suggestive of the orchestra tuning up). These octaves ...”