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“... as precious stones.’ The ambition is breathtaking, its objects less so. I would like to believe David Erdman that even Pitt guiding Behemoth is meant as Satanic allegory, with its naked British hero putting, as always, an angelic face on Chaos and Non-Entity. But I have my doubts. Perhaps the verdict of time on the Pitt and Nelson pictures – the one, to ...”

“... modern art culture – Arshile Gorky, Willem de Kooning, Krasner, Hans Hofmann, the sculptor David Smith – which had spent a decade submitting to the master. ‘Aha,’ Gorky is supposed to have said coldly to de Kooning on first being shown the younger artist’s Picasso-saturated work, ‘so you have ideas of your own.’ Picasso’s aren’t good ...”

“... efforts to organise the American premiere of Boulez’s Second Sonata – performed by the pianist David Tudor, who would premiere 4’33” – but relations between the two composers began to deteriorate as Cage’s obsession with using chance in composition proved incompatible with Boulez’s insistence that every parameter in a piece had to be carefully ...”

“... Mervyn Peake, living on ‘this desperate edge of now’, or the mercurial evanescence of a Jim Clark or a Joe Orton, counts for little in the scales of achievement when weighed against such elephantine stamina and titanic endurance. This book is, unashamedly, perhaps inevitably, a monument to the loneliness of the long-distance runner, rather than a paean ...”

“... culture. A still more obvious place to look for solid fare is the source book assembled by David Burnley in The History of the English Language. This is, in effect, an anthology of English written between the ninth century and the early 20th. The passages are well chosen both as representative samples of their time and as having inherent ...”

“... In what her publishers claim to be the first monograph in English on David, Dr Brookner explains that she sees her book as a ‘preparation’ for more specialised studies at present under way in France and America. It is intended ‘for the general reader whose eye has been arrested by David’s images and whose mind has been haunted or irritated by their supernal energy and conviction ...”

“... he can, an avant-garde commitment that is affirmed when he meets the Brazilian artist Lygia Clark two years later. In 1969, aged seventeen, Bois is offered an opportunity to exhibit his paintings in Paris, which he has the good sense to turn down, and his interests take a theoretical turn. At the suggestion of another family acquaintance, Paul ...”

“... Before it was a classic film, Gone with the Wind was a classic PR stunt. The film’s producer, David O. Selznick, announced that he would launch a nationwide search for the young woman who would play Scarlett O’Hara. The move provoked a furore; Margaret Mitchell’s novel, published in 1936, was already a national bestseller – it seemed that everyone was reading it – and the desire to star in the movie version proved irresistible ...”

“... of pace’ might seem to be the problem with this dual strike-force, but happily the author – David Bennie – does not say so. Nick Hornby cannot be blamed for writing of this kind, although Fever Pitch has helped to set the tone. In some ways, Hornby has links with the old school. He knows and cares that there is something ‘moronic’ about his ...”

“... exile was a traumatic experience, whose grip on his personality would tighten over the years. As David Kertzer shows in this subtle and brilliantly told account, the exile of Pius IX was an event that shaped modern Europe. The revolution that broke out in Rome in the spring of 1848 had begun not with protests, but with jubilation. Little was known of ...”

“... like tabloid relish. They include murder (Carr’s ‘honour slaying’ of his ex-scoutmaster, David Kammerer, with Burroughs and Kerouac as accessories); needle-drug addiction (‘quite a sensation’ is Burroughs’s comment on being administered his first shot of morphine by Herbert Huncke); and self-mutilation (Burroughs’s prescient deconstructive ...”

“... by setting about it with the enthusiasm of crusaders clearing the infidel from Jerusalem. David Herlihy of Harvard derided it as ‘a silly book, founded on faulty method and propounding a preposterous thesis’, while Lawrence Stone thought it advanced ‘an implausible hypothesis based on a far-fetched connection with one still uproven fact of ...”

“... of post-Rylean anti-Cartesians in chronological order – Wilfrid Sellars, J.J.C. Smart, David Armstrong, Hilary Putnam, Jerry Fodor, Donald Davidson, Ruth Millikan, Patricia and Paul Churchland – one gets a clear sense of a developing consensus. There is increasing agreement about which moves will and won’t work, which strategies are dead and ...”

“... indifference that greeted Blunden’s selection in 1954, published by Hutchinson, and also Leonard Clark’s Chatto selection of 1973, for which Clark himself put up some of the money. It’s true that Blunden, thinking his own poems didn’t fit the fashions of the early Fifties, tried to second-guess the reviewers by ...”

“... by Oskar Schlemmer with engaged work by the Mexicans Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. The juxtapositions are provocative, but the rationale not clear (unless it is merely that the new MoMA is not hostile to committed figuration). The fourth floor, which covers only 1940-70, also begins in an expected way, with late ...”