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Elegy for Gurney

Sarah Howe: Robert Edric, 4 December 2008

In Zodiac Light 
by Robert Edric.
Doubleday, 368 pp., £16.99, July 2008, 978 0 385 61258 6
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... follow the homecoming of men for whom home no longer exists. Edric’s latest novel, In Zodiac Light, revisits similar terrain. Set in the City of London Mental Hospital, Dartford, its protagonist is the poet-composer Ivor Gurney, who was a patient there from December 1922 until his death from tuberculosis 15 years later. Edric’s fascination with lives ...

Upper-Class Contemplative

John Bayley, 7 February 1985

The Fountain 
by Charles Morgan.
Boydell, 434 pp., £4.95, November 1984, 0 85115 237 6
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... the phylloxera epidemic. Sparkenbroke is about the life and death of a creative aristocrat. Lewis Alison, the hero of The Fountain, is with the Naval Brigade defending Antwerp in 1914, and is interned in Holland. This had been Morgan’s own experience, and both he and his hero spent a quiet war on parole at a Dutch castle. Morgan occupied himself chiefly in ...

Six hands at an open door

David Trotter, 21 March 1991

Intertextual Dynamics within the Literary Group: Joyce, Lewis, Pound and Eliot 
by Dennis Brown.
Macmillan, 230 pp., £35, November 1990, 9780333516461
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An Immodest Violet: The Life of Violet Hunt 
by Joan Hardwick.
Deutsch, 205 pp., £14.99, November 1990, 0 233 98639 1
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... on late 19th-century writings about ‘the nature of gender and human sexual response’, as Alison Hennegan has done in a recent essay,* you come to a rather different conclusion. Hennegan revels in the subversions of normality which colour the literature of the period and which, although checked by the outcome of the Wilde trial, were never stamped out ...

Diary

Will Self: Battersea Power Station, 18 July 2013

... status was uppermost in Tincknell’s mind as he led me, together with his head of communications, Alison Dykes, through freshly landscaped grounds – hardwood decking, raised flowerbeds, gravel pathways – towards the sales suite, pointing out on the way a scale model of the power station about the size of the average family home. ‘Isn’t it ...

Like a Retired Madam

Rosemary Dinnage: Entranced!, 4 February 1999

Mesmerised: Powers of Mind in Victorian Britain 
by Alison Winter.
Chicago, 464 pp., £23.95, December 1998, 0 226 90219 6
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... modest invalid knew enough to know that she was living in an age of prescientific ferment. One of Alison Winter’s main points in Mesmerised is that, in an age when so much of what was being discovered seemed extraordinary, a belief in the widely attested mesmeric phenomena was no more fanciful than a belief in electricity. The history of mesmerism, or ...

At the Barbican

John-Paul Stonard: ‘Postwar Modern’, 23 June 2022

... could hope for. If her paintings are ‘quintessentially postwar’, as the show’s curator, Jane Alison, puts it, then that seems again to have more to do with surface texture than with subject. Visiting a Mondrian retrospective at the Whitechapel Gallery in 1955, Themerson wrote that she remembered the ‘old, withered woman who was sitting there in the ...

At Kettle’s Yard

Rosemary Hill: Lucie Rie, 15 June 2023

... to avoid the tendency of ceramics shows to treat their subject as hobby-craft, is mercifully light on the details of glazes and firing temperatures. What is important to understand is the extent to which Rie invented not only new forms but an original way of working that suited her both aesthetically and practically. It was a technique rapid enough to ...

At the Pace Gallery

Daniel Soar: Trevor Paglen, 19 November 2020

... but I kept returning to the website, and I let the computer do its thing: the green recording light above my screen switched on and I could see myself projected into the gallery as visitors paced below. I was the watcher watched, watching myself being watched – a delirious mise en abyme.There’s nothing unfamiliar about remote video monitoring: it’s ...

The Phonic and the Phoney

Nicholas Spice: Being Hans Keller, 4 February 2021

Hans Keller 1919-85: A Musician in Dialogue with His Times 
by Alison Garnham and Susi Woodhouse.
Routledge, 421 pp., £34.99, December 2018, 978 1 138 39104 8
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... Radical candour was a point of principle; not to speak his mind was out of the question. Alison Garnham and Susi Woodhouse, surmising that there was never a time when he wasn’t like this, quote in their biography of Keller a wonderful fan letter he wrote aged sixteen to his idol, the violinist Bronislaw Huberman, after a concert, to the effect ...

Political Purposes

Frances Spalding: Art in postwar Britain, 15 April 1999

New Art New World: British Art in Postwar Society 
by Margaret Garlake.
Yale, 279 pp., £35, July 1998, 0 300 07292 9
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Cultural Offensive: America’s Impact on British Art since 1945 
by John Walker.
Pluto, 304 pp., £45, September 1988, 0 7453 1321 3
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... observes, an unacknowledged arm of the Foreign Office. Garlake quotes a letter, first brought to light in Frances Donaldson’s history of the British Council, in which a member of the Foreign Office admitted that the Cold War ‘is in essence a battle for men’s minds’ and that ‘the British Council is one of our chief agencies for fighting it.’ From ...

Yeats and the Occult

Seamus Deane, 18 October 1984

The Mystery Religion of W.B. Yeats 
by Graham Hough.
Harvester, 129 pp., £15.95, May 1984, 0 7108 0603 5
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Yeats, Eliot, Pound and the Politics of Poetry 
by Cairns Craig.
Croom Helm, 323 pp., £14.95, January 1982, 9780856649974
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Yeats. Poems 1919-1935: A Selection of Critical Essays 
edited by Elizabeth Cullingford.
Macmillan, 238 pp., £14, July 1984, 0 333 27422 9
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The Poet and his Audience 
by Ian Jack.
Cambridge, 198 pp., £20, July 1984, 0 521 26034 5
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A New Commentary on the Poems of W.B. Yeats 
by A. Norman Jeffares.
Macmillan, 543 pp., £35, May 1984, 0 333 35214 9
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Poems of W.B. Yeats 
by A. Norman Jeffares.
Macmillan, 428 pp., £17, August 1984, 0 333 36213 6
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... else in A Vision is symbolic, close enough to apocalyptic literature to be irradiated by its light, the 13th Cycle is merely imaginary, too distant to be much more than the idiosyncrasy of a mind which could apprehend conflict in terms far richer than it could ever apprehend unity. It is at this point that Yeats’s occult belief passes into his social ...

Mrs Schumann’s Profession

Denis Arnold, 22 May 1986

The Cambridge Music Guide 
edited by Stanley Sadie and Alison Latham.
Cambridge, 544 pp., £15, October 1985, 0 521 25946 0
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Tudor Music 
by David Wulstan.
Dent, 378 pp., £20, October 1985, 0 460 04412 5
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The Music Profession in Britain since the 18th Century: A Social History 
by Cyril Ehrlich.
Oxford, 269 pp., £22.50, January 1986, 0 19 822665 9
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Clara Schumann: The Artist and the Woman 
by Nancy Reich.
Gollancz, 346 pp., £15.95, October 1985, 0 575 03755 5
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Lorenzo Da Ponte: The Life and Times of Mozart’s Librettist 
by Sheila Hodges.
Granada, 274 pp., £12.95, October 1985, 0 246 12001 0
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... Like Professor Ehrlich, Nancy Reich, in her thorough biography of Clara Schumann, throws new light on the position of women in music. The status of the German musician is underlined in the portrait of her father, Friedrich Wieck, a prosperous piano teacher, and family patriarch of an uninviting kind. His plan for his talented daughter was not dissimilar ...

Strange, Angry Objects

Owen Hatherley: The Brutalist Decades, 17 November 2016

A3: Threads and Connections 
by Peter Ahrends.
Right Angle, 128 pp., £18, December 2015, 978 0 9532848 9 4
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Raw Concrete: The Beauty of Brutalism 
by Barnabas Calder.
Heinemann, 416 pp., £25, April 2016, 978 0 434 02244 1
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Space, Hope and Brutalism: English Architecture 1945-75 
by Elain Harwood.
Yale, 512 pp., £60, September 2015, 978 0 300 20446 9
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Concrete Concept: Brutalist Buildings around the World 
by Christopher Beanland.
Frances Lincoln, 192 pp., £18, February 2016, 978 0 7112 3764 3
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This Brutal World 
by Peter Chadwick.
Phaidon, 224 pp., £29.95, April 2016, 978 0 7148 7108 0
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Modern Forms: A Subjective Atlas of 20th-Century Architecture 
by Nicolas Grospierre.
Prestel, 224 pp., £29.99, February 2016, 978 3 7913 8229 6
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Modernist Estates: The Buildings and the People Who Live in Them 
by Stefi Orazi.
Frances Lincoln, 192 pp., £25, September 2015, 978 0 7112 3675 2
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Architecture an Inspiration 
by Ivor Smith.
Troubador, 224 pp., £24.95, November 2014, 978 1 78462 069 1
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... But there were other things at stake here too. Reading Banham’s book, or the essays by Alison and Peter Smithson later collected as Ordinariness and Light, with its epigraphs from Aneurin Bevan, or the various texts of Team 10, the international corresponding group that included most early Brutalists, it is clear ...

Mansions in Bloom

Ruth Richardson, 23 May 1991

A Paradise out of a Common Field: The Pleasures and Plenty of the Victorian Garden 
by Joan Morgan and Alison Richards.
Century, 256 pp., £16.95, May 1990, 0 7126 2209 8
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Private Gardens of London 
by Arabella Lennox-Boyd.
Weidenfeld, 224 pp., £25, September 1990, 0 297 83025 2
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The Greatest Glasshouse: The Rainforest Recreated 
edited by Sue Minter.
HMSO, 216 pp., £25, July 1990, 0 11 250035 8
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Religion and Society in a Cotswold Vale: Nailsworth, Gloucestershire, 1780-1865 
by Albion Urdank.
California, 448 pp., $47.50, May 1990, 0 520 06670 7
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... combed them through and examined them in a critical and scholarly fashion, holding them up to the light of previous historical and social theories, and ordering them according to ideas and findings of his own. His book progresses from a long-term discussion of the geology, history and social organisation of the community of the Nailsworth valley in ...

Tomorrow is here again

Anne Wagner: The First Pop Age, 11 October 2012

The First Pop Age 
by Hal Foster.
Princeton, 338 pp., £20.95, October 2011, 978 0 691 15138 0
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... remember that in the 1960s ambitious art could still justify its reliance on painting (rather than light works or earthworks or sheer emptiness) precisely because it was the medium most able to concretise the contemporary image world: Foster does not make this mistake. Nor does he fail to see that the 1960s painters were well aware of the way their pictorial ...

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