William Skidelsky

William Skidelsky is the author of Federer and Me.

Shizza my drizzle: Nick McDonell

William Skidelsky, 5 September 2002

Nick McDonell’s first novel (written, in case you haven’t read a newspaper recently, when he was 17) is set on Manhattan’s Upper East Side, and focuses on a group of teenagers from that neighbourhood. With a couple of exceptions, the characters in the novel are immensely privileged: they attend – or have attended – boarding schools; they live in luxurious...

Vinegar Pie: Annie Proulx

William Skidelsky, 6 March 2003

The Texas and Oklahoma panhandles are adjacent strips of high flat land sticking out across the base of the Great Plains. This overlooked territory is where Annie Proulx sets her fourth novel, a determinedly eccentric comedy about a dreamy 25-year-old called Bob Dollar. When he was eight, Bob’s parents moved to Alaska, leaving him on the doorstep of his Uncle Tam’s ‘Used but...

No Longer Handsome: Geoff Dyer

William Skidelsky, 25 September 2003

Geoff Dyer announced recently that he wasn’t ‘very interested in character and not remotely interested in story or plot’. For someone who writes novels (I hesitate to use the word ‘novelist’), this is a striking admission. Dyer, who was born in 1958, has so far written three. His first, The Colour of Memory (1989), is set in Brixton during the 1980s, and records...

Jonathan Lethem’s novels tend to be fusions of genres. As She Climbed across the Table (1997) is a science-fiction campus novel; Girl in Landscape (1998) an SF western. Gun, with Occasional Music (1994), his first novel, is a detective story set in a dystopian future. Narcotics are doled out by the state, and knowledge of the past has been eradicated. Children have been genetically...

From The Blog
30 November 2009

Sport is very different when mediated by a television camera. On screen, you lose all sense of a ball's true speed, of the players' astonishing agility. Roger Federer's forehand on TV is still a thing of beauty, but it's something you can (almost) take for granted. Seeing it for real is a useful, if crushing, reminder of how far removed it is from anything you could come up with yourself. On two consecutive nights last week, thanks to some generous colleagues at the newspaper where I work, I went to the ATP World Tour tennis finals at the O2 arena (formerly the Millennium Dome) in Greenwich. The organisers went for maximum American-style razzmatazz. Before the players came out there was a long build-up involving flashing lights, a rousing voiceover, and clips of interviews displayed on giant screens suspended from the ceiling.

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