Tom Paulin

Tom Paulin is a poet and critic.

Letter

Modern Classic

8 February 2001

In his review of Derek Mahon’s Selected Poems (LRB, 8 February), John Redmond remarks: ‘A vividly imagined crowd of mushrooms is at the centre of “A Disused Shed in Co. Wexford", the best poem in his third and best collection, The Snow Party, the poem towards which his early work rises, and from which his later work declines.’ This is faint, negligent praise which also works to marginalise...
Letter

Sniping

16 September 1999

Apropos of my recent Donegal Diary, I’m grateful to John Torrance for his close reading of Clare’s poem ‘To the Snipe’ (Letters, 14 October), but I disagree with Carol Rumens’s letter in the same issue, in which she says that my view of Larkin’s response to Ulster is not borne out by the poems or the letters. I recollect that somewhere he made a passing joke about being a Unionist, and...
Letter
In his lively discussion of Basil Liddell Hart (LRB, 10 June), Geoffrey Best says that ‘Heinz Guderian and others subsequently proclaimed themselves his disciples.’ Kenneth Macksey, in his study of Guderian, says that the Panzer leader only expressed an indebtedness to Liddell Hart in the English edition of his memoirs, and that he did so in order to placate Liddell Hart’s vanity. Macksey argues...
Letter

Unfair to Ulster

28 November 1996

I was interested by Conor Gearty’s dynastic response to Neil Jordan’s film, Michael Collins (LRB, 28 November), but troubled by his remark: ‘Jordan has been excoriated for using the wrong kind of gun in one incident and the wrong kind of bomb in another, as though the exposure of such minor details destroyed the movie’s central truth, which is that Michael Collins was the revolutionary leader...
Letter

Undesirable

9 May 1996

John Betjeman used to take his teddy bear, Archie, to bed with him every night. The attitude of various literary critics to T.S. Eliot and other great artists seems similar – they want to cuddle up close and they become petulant at any sign of criticism, as Betjeman did once when Geoffrey Grigson dared to make mild mock of Archie. James Wood is petulant about Anthony Julius’s study of T.S. Eliot...

This book is a sequence or collection of poems and other things concerning events in Europe in the period between the Treaty of Versailles and, broadly speaking, the Battle of Britain. Some of...

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Shoe-Contemplative: Hazlitt

David Bromwich, 18 June 1998

How they keep trying to bury Hazlitt, and how he keeps coming back. T.S. Eliot said he was guilty of ‘crimes against taste’. David Lodge made him a twee subject of nostalgic research...

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Sevenyearson

Michael Hofmann, 22 September 1994

Everybody knows – Paul Muldoon said it on the radio recently – that writing poetry can only get harder the more you keep at it. Against that is the belief, or perhaps the...

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Paulin’s People

Edward Said, 9 April 1992

It is not very often that professional students of literature experience an invigorating shock of pleasure, surprise, illumination upon reading a work of criticism – perhaps because, like...

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Umpteens

Christopher Ricks, 22 November 1990

Adrian Room has garnered umpteen dedications, and some of them are of interest, but what is the point of unrolling them alphabetically as something purporting to be a dictionary? Abbott opens,...

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Public Works

David Norbrook, 5 June 1986

‘Arnold and Eliot ensured that the magic of monarchy and superstition permeated English literary criticism and education like a syrupy drug ... ’ Yes, this is Tom Paulin speaking....

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Local Heroes

John Horgan, 7 February 1985

In the 1840s, according to Theodore Hoppen’s densely-packed and illuminating study of Irish political realities, ‘bored’ British ministers ‘grappled with the tedious but...

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Making sense

Denis Donoghue, 4 October 1984

In ‘A Wave’, the title-poem of his new collection, John Ashbery says, among many other things: One idea is enough to organise a life and project it Into unusual but viable forms, but...

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Accessibility

Derek Mahon, 5 June 1980

It would be disingenuous of me to pretend that I have taken the full measure, or anything like it, of Middleton’s Carminalenia, an intensely difficult collection about as far removed from...

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