Three hundred characters in 260 pages. How do you possibly keep track of so many names, so much intrigue? It’s hard to imagine a reader of Camilo José Cela’s masterpiece, The Hive, who hasn’t asked this question – who hasn’t wondered, after twenty or thirty pages, whether or how to go on. Do you just accept the confusion? Or, alternatively, keep...
Three hundred characters in 260 pages. How do you possibly keep track of so many names, so much intrigue? It’s hard to imagine a reader of Camilo José Cela’s masterpiece, The Hive, who hasn’t asked this question – who hasn’t wondered, after twenty or thirty pages, whether or how to go on. Do you just accept the confusion? Or, alternatively, keep elaborate notes – perhaps sketching out, as I did, a web of relations on a very large sheet of paper?