Simon Raven

Although Iris Murdoch and other females are on the roll, this book is almost entirely about the ways in which male homosexual novelists and their heroes evade or challenge established values and customs. In novels by most heterosexuals, and by many homosexuals as well, there is a strong tendency to portray ‘queer’ men as evil seducers or else as capering clowns. ‘The homosexual hero’, on the other hand, since he is presented by authors sympathetic to homosexuality, makes serious proclamation (and boy, oh boy, does he proclaim) of his right to lead his own life in his own way, regardless of parodists and in defiance of persecutors, to reinterpret social and moral conventions in his own terms and in the interest of his own special condition, and to seek out or create his own brave new world beyond the boundaries of the dreary dump in which (it is implied) mere heterosexuals are content to fret and rot from crib to coffin.

The minute Dornford Yates was dead in 1960, the mating calls of envy and resentment were heard hissing over the bier. The smelly little judgments which they spawned are now grown great and paramount. Dornford Yates, the orthodox legend runs in 1982, made a fortune out of writing best-sellers which appeal to the worst in all of us. They were and are sadistic in tone and action, feudal and fascist in sympathy, the ripely festering recipes of an arrogant racist authoritarian snobby sexist old pig: they should be (indeed they often have been) removed from the school libraries to make room for books about proper people.

Loder, the Fifth Form Cad, is being blackmailed by Hogg, the new School Butler: unless Loder gives Hogg £10, Hogg will go to the Head and report Loder for smoking and drinking in the Saloon Bar of the Black Ape; whereupon Loder will be sacked.