Shadi Bartsch

Shadi Bartsch, a professor of classics at Chicago, is one of the editors of The Cambridge Companion to Seneca.

Socrates in his cell, drinking hemlock. Cato at Utica, disembowelling himself not once but twice. And Seneca, with cuts in his arms and legs, waiting for the blood to trickle out of his shrivelled old veins. There is a reason these deaths have resonated with writers and thinkers throughout history: why, for example, Joseph Addison would write a drama in praise of Cato; why this drama would be...

Dire Fury: Roman Political Theatre

Shadi Bartsch, 26 February 2009

About a year after the Persians captured, sacked and burned the city of Miletus in 494 BCE, the Athenian playwright Phrynicus produced The Capture of Miletus, a tragedy about the colony’s harrowing fate. It was still early in the history of Athenian drama, and it may have been the audience’s reaction to Phrynicus’ play that led later tragedians to prefer mythological topics...

How much weight​ should we give to unpleasant revelations about the private lives of thinkers? It partly depends on what kind of thinker we’re talking about. When it was discovered a few years after his death in 1983 that Paul de Man had written for Nazi-controlled newspapers in Belgium, a debate began on whether this had any bearing on the deconstruction he propounded. The new...

The Aeneid is not all about male virtues and egos. The overall plot depends on the wrath of the goddess Juno, and room is also made for the quieter voices of aged fathers, local rustic deities and Italian...

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