Peter Pomerantsev

Peter Pomerantsev’s latest book, This Is Not Propaganda, won the 2020 Gordon Burn Prize.

Dead Man’s Coat: Teffi

Peter Pomerantsev, 2 February 2017

How​ does a comic writer describe a world that has stopped being funny? What to say when the system you satirise is swept away, when parts of the population are killed, when the survivors become refugees, drifting away en masse but it’s unclear where to? Teffi was faced with these questions as she tried to make sense of revolution in St Petersburg, as she fled through the Civil War,...

Diary: European Schools

Peter Pomerantsev, 16 June 2016

Educated side by side, the children of the European School played up to caricatures of their homelands. The French were moody: the boys read graphic novels and the girls wore Chanel. The Italians were appalled by the food and seemed to take badly to multilingualism. The Germans were the jocks. We in the English section, the boys anyway, posed as eccentrics: we quoted Monty Python and made a point of eating Marmite. It’s said of Boris Johnson that he elaborated his cartoon Englishness at Eton, but the groundwork would have been laid at his European School.

Murder in Mayfair

Peter Pomerantsev, 31 March 2016

As he lay dying Alexander Litvinenko solved his own murder and foresaw the future. A professional detective on his last case, with himself as the victim, he worked out that he had been poisoned in the Pine Bar of the Millennium Hotel in Mayfair, by another former KGB detective, Andrei Lugovoi. He had thought they were partners, investigating the connections between Putin’s Kremlin, organised crime and money laundering in Europe, but Lugovoi was still taking orders from the people they were investigating.

Diary: Iammmmyookkraaanian

Peter Pomerantsev, 19 February 2015

When I was growing up in the 20th century revolutions seemed significant. At school the Russian Revolution was everyone’s favourite subject but it was less theoretical for me than for most: my parents had ended up in England because of it. The 68-er parents of schoolfriends would tell me about the sexual and cultural revolutions of their youth which, they said, changed the world. I was 12 in 1989, when we all watched the Berlin Wall fall on live TV. It seemed like the Russian Revolution and the 1960s rolled into one.

Diary: What fascists?

Peter Pomerantsev, 19 June 2014

When​ Putin’s holy war began Alexey checked himself into a psychiatric ward. He had come back to Russia in 2012 after working as a journalist in London, where we met (I had just moved to London after a decade in Moscow). The protests against Putin were cresting, and change seemed imminent. ‘London is boring, everything has already happened here,’ Alexey said. ‘Russia...

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