Search Results

“... and even managed to gain the disapproval of his old primary school teacher who, according to Stephen Gilbert, admired his final interview but was not pleased when ‘he said “God the old bugger” ... I didn’t like that.’ It was such a successful finale that I still expect the credits to roll and Potter to pop up again to instruct us not to ...”

“... of 18th-century novels. Naturalism is the common language of television – not the language we speak, but one we are accustomed to listen to. Simply by association it has become the language of the state, of an illusory consensus, and prone to all its contradictions. The centrality of television naturalism ...”

“... true in his fin de siècle as in ours. During Wilde’s lifetime, his celebrity was used to sell Gilbert and Sullivan’s Patience, Madame Fontaine’s Bosom Beautifier, Straiton and Storm’s cigars and, lastly and mostignominiously, copies of the Illustrated Police Budget. Today, his name is on bookmarks, greeting-cards, T-shirts, posters and album ...”

“... a year. There are three appropriately distinguished candidates standing for the post this year: Stephen Greenblatt, Sandra Gilbert and Marjorie Perloff. Their policy declarations make interesting reading. Each accepts there is a crisis – although they disagree as to whether the crisis lies within or outside the ...”

“... Stephen Leacock, the English-born, Canadian-reared humorist, has a single entry in the Oxford Dictionary of Quotations: ‘Lord Ronald ... flung himself upon his horse and rode madly off in all directions’ (1911). Innumerable speakers, writers and politicians have helped themselves to this very serviceable joke; Leacock himself, writing in old age, used it without acknowledgment to illustrate a scientific disquisition ...”

“... In 1948, Gear, then based in Paris, had exhibited with Réalités Nouvelles and, along with Stephen Gilbert, had also become one of only two British founding members of the CoBrA group, whose significance has been aptly characterised by Chris van der Heijden: ‘in the midst of the darkness of the Cold War the colours of CoBrA take on a special ...”

“... Ivory Coast. The day before the assassination I got a call from Sankara. This was a first. We knew each other well but, until then, his aide had always called me before putting the president on the line. This time, his lively voice took me by surprise. We were of the same generation: he was 37, I was 30. ‘Hey ...”

“... leading Churchillists was convened in Austin, Texas, undoubtedly at the initiative of Professor Wm Roger Louis, whose Kerr Chair of English History and Culture at the University of Texas was one of the two principal sponsors (along with the Lyndon Baines Johnson Library), although the president and staff of the hyper-rich Pennzoil Company and sundry U of T ...”

“... Mr Stephen is editing a little dictionary,’ a friend explained to a clergyman foolhardy enough to ask whether Leslie ‘did any writing’. The enterprise in question was the DNB, one of those grandiosely-conceived and indefatigably-executed works of late 19th-century self-regard, comparable to the Victoria County Histories and the Survey of London ...”

“... a spy is arrested’ was set up in type but never printed: the Westminster’s editor, Stephen Spender’s uncle, was mildly pro-German in 1912, and he also turned down a piece called ‘In Fortified Germany’. But the third and fourth articles made it – Lawrence’s debut as a travel writer – and they already exhibit their author’s hedgehog ...”

“... men – a fact the Tate curators acknowledge, along with the infrequency of non-white faces: ‘We have been constantly frustrated by the comparative scarcity of material.’ In a section somewhat dutifully titled ‘Defying Convention’, we find John Singer Sargent’s 1881 portrait of an austerely boyish Vernon ...”

“... Strand.) Conceptually and iconographically, his later big bronzes have much more in common with Gilbert or even Frampton (arch anti-Epsteinian and a major figure in Gardiner’s demonology) than with the Modernism of Henry Moore Epstein’s work was made for public places and the liking and loathing it attracted found their way into print. ‘Great New ...”

“... Stephen Sondheim is America’s master of musical theatre, as long as we are prepared for the work to be brilliant but not relaxed. His is a voice of solitude struggling to believe in company, and that of a lifelong game-player, so be careful about taking this book at face value as an autobiography, or as giving the whole story ...”

“... for the coal miners and the current outcry over the dismantling of British Rail suggest how deeply we still feel the loss of this last distinction. Out-of-work miners appear somehow more deserving than the rest of the unemployed, and trains command more affection than any other machines in this culture, because coal and the railroads were in the vanguard of ...”

“... The only time I stayed at the Chelsea Hotel, a few years ago, I kept thinking about Gilbert Sorrentino’s Splendide-Hôtel (1973), a slim volume of meditations, 27 in all, organised from A to Z – a segment per letter, plus one for good measure. Sorrentino took his cue from a line in Rimbaud’s Illuminations: ‘And the Hôtel Splendide was built in the chaos of ice and polar night ...”