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“... heavy drinking and writing was forged. When I thought of poetry I thought of drink. There was Robert Burns, after all, and his skirling, birling Tam O’Shanter. There was Hugh MacDiarmid and his drunk man looking at the thistle. And there were all those Scots poets meeting in Milne’s Bar in Edinburgh, pouring whisky down their necks and poison in one ...”

“... and I was reprimanded by both of them for having used the word “spit”.’ In his introduction, Robert Giroux incorrectly identifies the offending story as ‘The Farmer’s Children’ – an implacable masterpiece which he stigmatises as ‘more conventional and sentimental than anything else she wrote’. ‘The Farmer’s Children’ is devoid of ...”

“... stayed in an apartment overlooking the beach. ‘It is such a wonderful apartment,’ she wrote to Robert Lowell in 1958, that we’ll never rent it again, no matter what heights rents soar to, I think. Top floor, 11th, a terrace around two sides, overlooking all that famous bay and beach. Ships go by all the time, like targets in a shooting gallery, people ...”

“... substantial in the 1960s, though her Collected Stories, which came out with Farrar, Straus and Giroux in 1969, was awarded a Pulitzer the following year. She died, aged 63, in 1979. Since her death, Stafford’s stories have (more or less) remained in circulation, but her three novels were out of print for decades. Now the Library of America has brought ...”

“... In April​ 1970, Robert Lowell and Elizabeth Hardwick – both aged 53, married for 21 years – had just been on holiday together in Italy with their 13-year-old daughter, Harriet. Hardwick and Harriet had come home to New York, where Hardwick taught at Barnard College; Lowell had gone to Oxford to take up a fellowship at All Souls ...”

“... voluptuous rebirth.’ There aren’t many skeletons left in Hardwick’s closet. Since 1973, when Robert Lowell published The Dolphin, a series of sonnets based on Hardwick’s letters to him during the breakdown of their marriage, the story of her life has been bound up with, and contorted by, his overbearing presence. Cathy Curtis, author of the first ...”

“... of The Letters of Flannery O’Connor and Caroline Gordon. The two women were introduced by Robert Lowell, who had met O’Connor at Yaddo in 1948. Gordon had impeccable literary credentials. As a young writer, she had been mentored by Ford Madox Ford, who had her read an early draft of her first novel, Penhally, out loud to him. She was edited by ...”

“... while still an undergraduate at Columbia, where Mark Van Doren was his teacher and mentor; and Robert Penn Warren was the editor (at Southern Review) whom he first sought to impress. But if the New Critical aesthetic disciplined Berryman it also inhibited him. It gave him a good technical training, but its insistence on what he later called ‘Eliot’s ...”

“... book editors made themselves great by ignoring this advice. The best of them – Maxwell Perkins, Robert Giroux, Joe Fox, Bennett Cerf – allowed many brilliant young things to roll about on their front lawns, and some days they even took a drink in the company of these writers, or let their dogs loose to lick their fidgety, callused hands. A sad ...”

“... If Robert Lowell had not been a Lowell would he ever have had the confidence to write the poems he did? It is impossible to imagine the scion of a distinguished English family using that family now as a basis for poetic composition. But all Lowell’s poems are about being a Lowell, or rather, more specifically, about being this Lowell ...”

“... Robert Lowell wrote the poem ‘Water’ about being on the coast of Maine in the summer of 1948 with Elizabeth Bishop; he put it first in his collection For the Union Dead, which he published in 1964. He sent Bishop a draft of the poem in March 1962, explaining that it was ‘more romantic and grey than the whole truth, for all has been sunny between us ...”

“... the uncertain Irishness of certain writers. Was Sterne Irish? Was Oliver Goldsmith Irish? Was Robert Tressell Irish? Is Iris Murdoch Irish? But the argument about who was gay and who was not and how we know is more difficult. How can someone be gay if, as in the case of Gogol, there is no direct evidence? Yet if you trawl through Gogol’s stories with ...”

“... the inside cover of Moser’s book like a wall of publicity stills), Diane Arbus, Richard Avedon, Robert Mapplethorpe, and, later, her partner Annie Leibovitz. Sontag’s post-cancer skunk-stripe hair made her instantly spottable. For those hitting the right places in Manhattan, Sontag sightings were as recurring and oddly reassuring as Warhol sightings, as ...”

“... turn at about this time. Roger Straus, at the recently formed house of Farrar, Straus and Giroux, was an admirer, and in 1950 he brought out a collection of Wilson’s pieces from the 1940s called Classics and Commercials, followed two years later by The Shores of Light, subtitled ‘A Literary Chronicle of the Twenties and Thirties’. These two ...”