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“... Robert Moses​ was a modernist pharaoh. Over the forty years from the early 1930s to the late 1960s, he became a virtual dictator of public works in all five boroughs of New York and much of its suburban surroundings. Almost singlehandedly, through chicanery, fraud and bullying, he created the modern infrastructure of the New York City area: expressways, tunnels and bridges, but also parks, beaches, swimming pools and high-rise housing projects ...”

“... listen that he was headed for the White House. He mapped out a plan to get there from which, as Robert Caro writes, ‘he refused to be diverted.’ It meant first establishing himself in state politics, then winning a seat in the House of Representatives, then moving up to the Senate and finally to the highest office. He was undaunted by the fact that ...”

“... decided at the outset I wasn’t going into all that,’ he told me. American biography, as Robert Caro’s vast Life of LBJ reminds one, is something else again. Whereas British political biography, with the (white) elephantine exception of Martin Gilbert’s Churchill is, almost as a matter of professional pride, a one-volume affair, there is a ...”

“... newspaper pundits have created persistent legends; and it is to combat one of these legends that Robert Ferrell has edited Eisenhower’s diaries. Professor Ferrell is not the first historian who has sought to show that the General-President, far from being a confused nonentity, was, on the contrary, a hard-working, shrewd and purposive leader who ...”

“... to the ultramontane grammarian, schoolteacher, Virgil-translator and polymath Miguel Antonio Caro, who in the course of a long life, legend has it, not only never bothered to see the sea, which was then many days distant, but even drew the line at going to see the River Magdalena, close enough for someone of even the feeblest geographical ...”

“... is no within within. This book, left incomplete at the time of Farson’s death and tidied up by Robert Violette, is touching and illuminating in part because there is such a mismatch between the author and his subjects. Gilbert and George can only be defined in a series of paradoxes. They have photographed and exhibited their shit and their arses, not to ...”

“... editor in the early 1960s. It must have seemed strange to read the poetry of Pound, Williams, Robert Duncan, Ian Hamilton Finlay, Robert Creeley and Louis Zukofsky in a right-wing political journal. ‘Don’t worry about the Birch boys,’ Kenner wrote to Davenport in 1961, trying to persuade him to contribute to the ...”

“... of high culture. An authorised biography has now appeared of an English dealer of recent memory, Robert Fraser, 1937-86. His chequered career, terminated by Aids, lasted as long as it did only because of subsidies from his parents and getting away with not paying his debts, while the world at large remembers him for pictures showing him in a police van ...”

“... better part of a year, and his John Adams (2001) is providing an astonishing repeat performance. Robert Caro’s dramatically detailed look at The Years of Lyndon Johnson has been unfolding since 1982, and large chunks of Volume Three have been serialised in the New Yorker. In the meantime, Robert Dallek scooped him ...”

“... present lexicographer, so it can acquire new writers, compilers, continuers.’ In a US review, Robert Coover suggested that computer hackers might make Dictionary of the Khazars their own as a prototype hypertext, unpaginated, non-sequential, that can be entered anywhere by anybody. This looks forward to a utopian, high-tech version of the oral tradition ...”

“... been the glory of classical art – was one of the big issues of those days, and the artist-critic Robert Smithson had great fun with Fried’s finding that certain polychrome sculptures by the painter Jules Olitski consisted of surfaces that had the miraculous property of being ‘flat, but rolled’. Speaking of the American painters he championed in the ...”

“... be the Shelley ménage – in a book that also explores his biographical ‘intimacy’ with Robert Louis Stevenson, Gérard de Nerval and Mary Shelley’s remarkable mother Mary Wollstonecraft – that occasions the reflection. There is something about ‘the Shelley circle’, and particularly its bizarre life abroad, that produces this effect. At its ...”