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“... a cousin who exiled Guido in perpetuity. The noble tomb was never built. Elegantly translated by Richard Dixon, Santagata’s biography avoids the quarrels among critics that sometimes dominate Dante studies, relegating its references and accounts of diverging opinions to a hundred pages of useful notes. Yet a book like this obliges us to reflect on the ...”

“... his own athletic prose. Patmore disliked Hopkins’s poems (pressed on him by Bridges), and Canon Dixon, although sympathetic and genial, doesn’t produce much vivacity. It is good to have the canvas of the exchanges filled in, and there are some livelier moments (especially in Dixon), but these letters from friends ...”

“... a slippery enterprise. At the end of his immensely readable and often puckish exploration, Thomas Dixon sighs, with reason, that ‘it is impossible to pin tears down.’ Dixon directs the Centre for the History of the Emotions at Queen Mary University of London. Keats might have thought this rather like a Department for ...”

“... VI founded Eton, his “College Roiall of oure Lady Eton”, in the year 1440.’ So says Mark Dixon in An Eton Schoolboy’s Album. He may or may not have learned much history, but somewhere along the line Dixon, who left Eton in 1980, has learned how to write in an entertaining and elegant way. I find it difficult to ...”

“... bookshop. It’s been painted on the glass by hand. It’s from the first sentence of Mason & Dixon.Thomas Pynchon was born on Long Island, New York in 1937. He studied engineering, physics and, later, English literature, at Cornell University, then worked as a technical writer for Boeing until 1962. Not long after that, he more or less disappeared from ...”

“... be writing the history of art? Three recent books bear on these issues. The Seicento specialists Richard Spear and Philip Sohm have put together Painting for Profit: The Economic Lives of 17th-Century Italian Painters, which explores what new co-ordinates one current academic strategy has to deliver; while two treatments of Caravaggio, by Andrew Graham-...”

“... At one moment in Thomas Pynchon’s novel named after them, Mason and Dixon pause to wonder what history’s verdict on their most famous work is likely to be, its ‘assessment of the Good resulting from this Line, vis-à-vis the not-so-good’. A voice, apparently coming from nowhere, says: ‘You wonder? That’s all? What about “care”? Don’t you care?’ The surveyors explain to the voice that surveying is what they do ...”

“... dear and one of the funniest grotesques in America’, accepted the ‘stipend’ on behalf of ‘Richard Python’. ‘The great fiction story is now being rehearsed before our very eyes, in the Nixon administration,’ Corey announced. He described Gravity’s Rainbow as ‘a small contribution to a certain degree, since there are over three and a half ...”

“... to the left of the headword. Murray’s successors William Craigie and Charles Onions tussled over whether to maintain this practice. Proofs of the Supplement dated 11 September 1929 retain Murray’s so-called tramlines; in the next proofs, dated 2 July 1930, they are gone. Between these dates, Onions joined the BBC Advisory Committee on Spoken English, where he became acutely aware of the prejudices that led some people to stigmatise new or imported terms; tramlines, he felt, didn’t help ...”

“... Baudelaire on Callot, Donald Hall on Munch, Hollander on Monet and dozens more, including Richard Wilbur’s exquisitely meditative imitation of a Baroque wall fountain, a poem that sounds more like the work of art it imitates than any other I know.* The painting of Howard Hodgkin is a first-rate example of the vivid muteness that resists critical ...”

“... unashamed fan of minor Hollywood pictures. Breathless, as Godard readily admitted, was inspired by Richard Quine’s Pushover and could be seen as the direct sequel to Otto Preminger’s Bonjour tristesse. The central character of the film, the petty criminal played by Belmondo, modelled his self-image on that of Humphrey Bogart in Mark Robson’s The Harder ...”

“... the years have always informed the reader of Jones’s role as one of the partners, with Jeremy Dixon, of the firm of Dixon Jones; Woodward, we are told, has been an architect in public and private practice and now writes architectural guides to European cities. There is a lot more to the story of both, and it is ...”

“... into the Republican camp, though not all of them formally switched their party registrations. Richard Perle, a leading figure in the Republican defence establishment known as the ‘Prince of Darkness’, remains a registered Democrat. Among the neoconservative Democrats who moved over to join the Reagan administration was Paul Wolfowitz, Donald ...”

“... when you work out the difference between a quarter and 20 per cent. The comfortingly conservative Dixon of Dock Green’s regular television audience of 13 million suggested ‘that many viewers still preferred nostalgia and reassurance’ to the ‘grittiness and realism’ of programmes like Z Cars; nonetheless, Z Cars peaked at 17 million viewers and, with ...”

“... shadows and onto the platform. At 32, the former boot boy was a man among men. Or, that’s how Richard Allen might choose to break in a new face in one of his New English Library Skinhead shockers. It’s an Allen pulp hologram that Stewart Home is impersonating. But impersonation is too weak a term for this stranglehold on the mike. It is more like a ...”