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“... Of all the great English poets, Dryden must be the least enjoyed. Once honoured ‘rather in the stiffness than in the strength of his eminence’, he was soon ‘laid carefully away among the heroes’, according to Mark Van Doren, the critic who is still, nearly a century on, the most persuasive of his would-be resurrectors ...”

“... final couplet as if its awkwardness amused him after the thoughtless pleasure of that first leap. Dryden is also a jumper in, a superb starter. What about the opening of The Hind and the Panther? A Milk white Hind, immortal and unchang’d, Fed on the lawns and in the forest rang’d. Or of Absalom and Achitophel? In pious times, ere priestcraft did ...”

“... Item: in 1684, there appeared John Oldham’s posthumous Remains in Verse and Prose, with a prefatory elegy by John Dryden, ‘Farewell, too little and too lately known’. Dryden’s poem has been much admired and praised – but not by Claude Rawson, who calls it variously ‘pompous’, ‘self-serving’, ‘overrated’, ‘unctuously self-exalting’, ‘self-promoting’, ‘pontifical’ and ‘patronising’ Item: in a chapter on Richardson (wittily called ‘Richardson, alas’ after ‘Hugo, hélas’), Rawson quotes a curious letter in which the novelist asks a friend to come to Tunbridge Wells, where she will be able to see a figure more ‘grotesque’ even than Beau Nash or Colley Cibber, ‘a sly sinner, creeping along the very edges of the walks, getting behind benches ...”

“... There is an anonymous portrait of Dryden, ‘dated 1657 but probably 1662’, which shows a full-fed figure with plump alert eyes, comfortable and predatory. He seems poised between repletion and dyspepsia, like a bewigged Nigel Lawson, arrested for all time at the moment of incipient eructation. James Winn says: ‘His short, squat figure later led his enemies to call him “Poet Squab”, and the plump birdlike face in this picture justifies the nickname ...”

“... Dryden of course neither wrote nor adapted a Hamlet. But sometimes negatives, or questions, can say as much as positives. And Dryden is perhaps an odder, a more involved figure than might be surmised from his enormous productivity – from his energy, his directness, his mass and variety of achievement ...”

“... the real-life Rochester, Alexander Larman provides a workmanlike account of an improvident life. John Wilmot was born in 1647 on All Fools’ Day. His father, one of Charles II’s most stalwart lieutenants, had fought for the king and fled the field with him after the royalist defeat at the battle of Worcester. The two men escaped together to Paris, where ...”

“... took him on their list (induced in the first place – let credit be given where it’s due – by John Press). He insists, and he has the right to insist, that he is as authentic a voice of modern Britain as Philip Larkin is. As some pages of Poetry and Metamorphosis make clear, the Britain that Tomlinson speaks for is one that most of us, gratefully or ...”

“... to Restoration literature and Restoration cultural style. We shall not, for instance, understand Dryden well if we do not understand Behn – and Behn proves to be no mere footnote but a writer of vivacity and considerable complexity. Behn has one of the most unclear biographies in English literature. It is very difficult not to mythologise Aphra while ...”

“... he negotiated a contract with Bernard Lintot (who was hoping to buy himself a poet who could rival John Dryden in merit and popularity) for a translation of Homer. This was probably the best deal ever struck by an English poet. The fee for the copyright combined with income from the sale of subscription copies of the Iliad made Pope around £5000. That ...”

“... that J.G.A. Pocock told him that Conrad Russell told him that Bertrand Russell told him that Lord John Russell told him that his father the sixth Duke of Bedford told him that he had heard William Pitt the Younger speak in Parliament during the Napoleonic Wars, and that Pitt had this curious way of talking, a particular mannerism that the sixth Duke of ...”

“... monarchism is in tension with some proto-republican elements. Paulin’s next major monarchist, John Dryden, seems a less ambiguous figure: ‘Absalom and Achitophel’, which Paulin much admires and prints in full, presents the political debate stirred up by the Whigs as a feverish disease of which the body politic needs to be cured. This nostalgia ...”

“... in general. The past itself is alterable, since the future casts it in a new light. Whether John Milton belonged to a species which ended up destroying itself is up to us and our progeny. The future possibilities of Hamlet are part of the play’s meaning, even though they may never be realised. One of the finest English novels, Samuel Richardson’s ...”

“... life by dying in a good cause in Greece) and who considered his confessions to be, in the words of John Cam Hobhouse, ‘fit only for a brothel’. Mr Nye’s book is an exercise in literary reconstruction, and hence in the revision of a character. It traces the career of our ...”

“... Norris’s embassy to the court of Jahangir’s grandson, Aurangzeb, in 1699. On the London stage, John Dryden had presented audiences with flattering parallels between Aurangzeb and James’s grandson, Charles II, in Aureng-Zebe: A Tragedy (1675). On the diplomatic stage, however, Norris’s mission was a failure. Sent to secure trading concessions for ...”

“... sinfulness, until Jesus finally shows mercy and lets her in. In Fables, Ancient and Modern (1700), John Dryden rendered ‘The Wife of Bath’s Tale’ in contemporary English, ‘not daring … to adventure on her prologue, because ’tis too licentious’. Voltaire took the opposite approach: when he reworked ...”