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“... Henry James writes of a very grand lady that she had ‘an air of keeping, at every moment, every advantage’. Paradoxically, the same would be true of the literary personality of Elias Canetti. Behind its approachable modesty, its avoidance of every publicity and image-making process, there is a loftiness, an assurance, a stance of absolute superiority ...”

“... In The Conscience of Words Elias Canetti has collected 15 mainly literary essays and addresses written between 1964 and 1975 (the German edition, first published in 1975, contained a slightly different selection). The Human Province (first published in 1973) consists of aphorisms and reflections from Canetti’s notebooks, most of them written while he was working on Crowds and Power (1960), which he regards as his most important contribution to 20th-century thought ...”

“... In their French editions the titles and covers of Lévi-Strauss’s books are often designed to tease as well as to inform. They deserve attention. Tristes Tropiques is about tropes as well as tropics; Mythologiques is about odd kinds of logic as well as mythology; La Pensée Sauvage carried on its cover a picture of a wild pansy which should have warned the English publisher that The Savage Mind was hardly an adequate translation even if the author chose the latter title himself ...”

“... it is of conceits, Syberberg shows an Olympian contempt for predecessors such as Erwin Leiser and Joachim Fest who have addressed the same subject through a documentary mode. It is implied that they are merely part of the grubby Hitler industry – ‘our Disneyland’. Instead we are presented with a film spectacle in which the Third Reich itself is ...”

“... Robert Wistrich’s book is about the Jews of Vienna in their golden age, Steven Beller’s about the city’s culture in its golden age. You could be forgiven for thinking that these amounted to the same thing. Not all Viennese Jews were cultural heroes, and not all Viennese cultural heroes were Jews. But the overlap is impressive and in need of explanation ...”

“... Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen yet again, and adding one more to an already considerable cavalcade of novels.* Then he crosses out the word ‘hateful’. And then he crosses out the word ‘harness ...”

“... When in 1975 Lucy Dawidowicz published The War against the Jews she started the swell of one of those waves of intellectual hysteria which betray the yearning for conformity among American historians. The intention of the book was entirely justified and laudable. In her judgment, historians had not given the massacre of the European Jews the importance it deserved as a central event in the history of our century ...”