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Make Something Happen!

Julian Bell: Paint Serious, Paint Big, 2 December 2010

Salvator Rosa: Bandits, Wilderness and Magic 
by Helen Langdon, Xavier Salomon and Caterina Volpi.
Paul Holberton, 240 pp., £40, September 2010, 978 1 907372 01 8
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Painting for Profit: The Economic Lives of 17th-Century Italian Painters 
by Richard Spear and Philip Sohm et al.
Yale, 384 pp., £45, 0 300 15456 9
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Caravaggio: A Life Sacred and Profane 
by Andrew Graham-Dixon.
Allen Lane, 514 pp., £30, July 2010, 978 0 7139 9674 6
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The Moment of Caravaggio 
by Michael Fried.
Princeton, 304 pp., £34.95, 0 691 14701 9
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... co-ordinates one current academic strategy has to deliver; while two treatments of Caravaggio, by Andrew Graham-Dixon and by Michael Fried, come at that painter’s place in history from wildly disparate angles. Spear, Sohm and their five coauthors investigate five 17th-century urban art worlds. Those of Florence and Venice are so downbeat they would be ...

A Likely Story

Frank Kermode, 25 January 1996

Howard Hodgkin: Paintings 
by Michael Auping, John Elderfield and Susan Sontag, edited by Marla Price.
Thames and Hudson, 216 pp., £28, October 1995, 0 500 09256 7
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Howard Hodgkin 
by Andrew Graham-Dixon.
Thames and Hudson, 192 pp., £24.95, October 1994, 0 500 27769 9
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... Vuillard, Degas, Stella, Johns, Pollock and so on. All this Auping does. On other topics, such as Andrew Graham-Dixon’s proposition that ‘there are a lot of pictures about fucking,’ he judges it best to be non-committal; yes and no, certainly many of these works are about bodily pleasures, he says, but they ‘may or may not refer to ...

At Piano Nobile

John-Paul Stonard: On R.B. Kitaj, 14 December 2023

... fodder for harsh criticism of his work. ‘The Wandering Jew, the T.S. Eliot of painting?’ Andrew Graham-Dixon wrote in the Independent of the 1994 retrospective. ‘Kitaj turns out, instead, to be the Wizard of Oz: a small man with a megaphone held to his lips.’ Kitaj’s reviews of his reviewers are always entertaining: ‘The art critic was ...

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