On Ange Mlinko
Paul Franz, 5 July 2018
Ange Mlinko has long presented herself as an enthusiast, a collector, an exhibitor: of experiences and of lore, especially the histories of words. This sensibility, which also inclines towards eccentric forms of performance, has been on display in her work since the title poem of her first collection, Matinées (1999), in which a bit-part actress or dancer, tired of waiting for her...
