Niela Orr

Late​ in the evening, early this century, Washington Square West, Philadelphia. Washington Square West overlaps an area identified by W.E.B. Du Bois in The Philadelphia Negro as the Seventh Ward, the site of many places famous in Black history: Mother Bethel A.M.E. Church; the Institute for Coloured Youth; the home of Frances E.W. Harper, one of the first Black American women to have her...

Paul Laurence Dunbar​’s poem ‘We Wear the Mask’ was published in 1895.

We wear the mask that grins and lies,It hides our cheeks and shades our eyes, –This debt we pay to human guile;With torn and bleeding hearts we smile,And mouth with myriad subtleties.

Why should the world be over-wise,In counting all our tears and sighs?Nay, let them only see us, while   ...

In​ ‘The Wizard of Oz: A Parable on Populism’ (1964), Henry Littlefield, a high-school teacher, interpreted L. Frank Baum’s novel as an extended metaphor for American politics in the 1890s. He argued that Baum, who in 1888 moved to the territory that became South Dakota, sympathised with the plight of the region’s farmers and was influenced by the views of a man he...

The book’s title refers to made-up events and fake online avatars, and if Fake Accounts is the burner phone of Lauren Oyler the critic, this passage reads slightly differently. ‘To look at one’s phone while walking up the stairs is a hazard and a menace. To have been plucked special from one group only to be reincorporated into another more debased is an insult to pride.’ Oyler the critic has bumped into Oyler the novelist (I don’t know which group, novelists or critics, is more debased). Their collision is this book.