John Lahr’s Arthur Miller: American Witness came out in January. Tennessee Williams: Mad Pilgrimage of the Flesh won the National Book Critics Circle Award.
To spend time with Tennessee Williams – for months on end in the case of Elia Kazan, the director who put his plays on the stage in the 1940s and 1950s; 12 years in the case of his...
Kenneth Tynan smoked like a maestro, an aficionado of his own smooth technique. As the stripper sings in Gypsy, ‘Ya gotta have a gimmick,’ and photograph after photograph shows Tynan...
I first saw Barry Humphries on stage in the Phillip Street Theatre in Sydney in 1956 or 57, and got to know him in Auckland in the early Sixties after we had both come back from our first visits...
When Joe Orton was in Tangier, he noted down the following exchange: ‘You like to be fucked or fuck?’ he said. ‘I like to fuck, wherever possible,’ I said. He leaned...
Steven Aronson’s Hype, a guide to the latest techniques of mass manipulation, may have less impact on British readers than it has had on American. The word is a recent coinage, but since...
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