Geoffrey Hartman is Karl Young Professor of English at Yale and author of Criticism in the Wilderness and Saving the text.
Hostility tends to make people sound more powerful than they really are. Eliot against the Romantics, Leavis against Milton, Empson against Christianity, Ricks against Theory. By the 1990s, when...
The autumn catalogues of some very enterprising publishers announce as many books as usual under the rubric Literary Criticism, or possibly more, but few have titles of a sort that, even ten...
Wordsworth’s poetry has been able to animate critical writing, relevantly, from several different points of view. Narratologists have discussed the gaps in his storytelling and the...
Geoffrey Hartman’s Easy Pieces can be hard going. ‘To see, oneself unseen, as at the movies, is only less than the ecstasy of an unseeing seeing: of going beyond the non-language of...
Rosemary Ashton traces the impact of some German writers, especially Goethe, on the British periodicals and on four writers, Coleridge, Carlyle, Eliot and Lewes; Geoffrey Hartman ranges widely...
In reviewing a book on literary theory recently, a noted American structuralist, Jonathan Culler, drew a stern line between the sort of assumptions about literature that might do for ordinary...
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