Emily Witt

Two decades ago​ a container ship travelling from Hong Kong to Tacoma, Washington, hit a winter storm and several shipping containers were washed overboard into the North Pacific. Among the lost cargo were 28,800 plastic bath toys: red beavers, green frogs, blue turtles and yellow ducks. A year later, hundreds of the things began washing up on the islands around Sitka, Alaska, and amateur...

I am not usually comfortable in a bar by myself, but I had been in San Francisco for a week and the apartment I sublet had no chairs in it, just a bed and a couch. My friends in town were married or worked nights. One Tuesday I had lentil soup for supper standing up at the kitchen counter. After I finished, I moved to the couch in the empty living room and sat under the flat overhead light refreshing feeds on my laptop. This was not a way to live. A man would go to a bar alone, I told myself. So I went to a bar alone. I sat on a stool at the centre of the bar, ordered a beer, and refreshed the feeds on my mobile.

The narrator of The Woman Upstairs is Nora Eldridge, and from the start she describes herself as something of a non-entity. ‘I’m neither fat nor thin, tall nor short, blonde nor brunette, neither pretty nor plain.’ She’s 42 and ‘neither married nor divorced, but single. What they used to call a spinster, but don’t anymore, because it implies that you’re dried up and none of us wants to be that.’ Spinsters, in the old novels, are sexless, meddlesome and prissy. These days, what they used to call a spinster is a fearsome spectre, someone to avoid.

I wanted to go​ to Burning Man because I saw the huge festival in the Nevada desert as the epicentre of the three things that most interested me in 2013: sexual experimentation, psychedelic drugs and futurism. But everyone said Burning Man was over, that it was spoiled. The event, which requires those who attend to bring their own food, water and shelter and dispose of their own...