Denis Feeney

In the year 8 AD, at the age of 50, Publius Ovidius Naso stood at the height of poetic ambition. Fêted and continuously successful for almost thirty years, Ovid had been without a rival since the death of Horace 15 years before. Surrounded by second-raters and nonentities, he was unquestionably the most famous poet in the empire. Rome was his oyster, and his poetry took the metropolis as...

Within a generation of Virgil’s death in 19 BC the trajectory of his poetic career had become iconic, with its apparently teleological progression from the slim one-volume collection of ten Eclogues to the more ambitious four-volume Georgics and finally to the 12 volumes of his imperial epic, the Aeneid. The progression could be seen as a poetic instantiation of rhetorical...

The triumph is a key element of the modern image of the Romans, embodying the characteristics we love to imagine as quintessentially Roman: militarism, arrogance, cruelty, spectacle. Because the triumph is central to the way we think of Roman culture, the BBC/HBO television series Rome showed not one but two: that of Julius Caesar over Vercingetorix the Gaul in Season 1, and that of his...

In June 1345, in the Chapter Library at Verona, Petrarch discovered a manuscript containing the letters written by Cicero to his friend Atticus (‘Ad Atticum’), his brother Quintus (‘Ad Quintum Fratrem’) and Caesar’s assassin, Marcus Brutus (‘Ad M. Brutum’). Lost for centuries, the letters enraptured Petrarch, providing him with a moment of first...