Alasdair Gray

In three hundred and thirty B.C. when ships always tried to sail within sight of land, at the west exit from earth’s middle sea DON’T GO THROUGH was carved. That small strait led to the ocean that keeps moving its bed, drowning beaches twice between noon and noon and twice uncovering them, pulled by the moon.

It was hard to sail by such coasts without splitting keel on reef or...

This is the first full-length study of James Thomson’s life and work since Henry Salt’s in 1889. Thomson’s poem The City of Dreadful Night is known by name to many but has seldom been reprinted or discussed. Histories of literature say more about an earlier James Thomson (1700-48) who wrote The Seasons and ‘Rule Britannia’ and got into Johnson’s Lives of the Poets, though Johnson says his diction was ‘florid and luxuriant … and sometimes may be charged with filling the ear more than the mind.’ Without comparing the two Thomsons, Leonard shows by quotation that the Victorian (1834-82) is the greater poet. He shows, too, that the later Thomson’s life reflects the state of Britain more fully than other poets of his age excepting G. M. Hopkins and Hardy. Before describing how Places of the Mind retrieves his best work from the margin of literature I will suggest why The City of Dreadful Night was mislaid there.