How Do You Pay? 
Bee Wilson
Because the man himself is so ungainly, it is easy to overlook Michael Moore’s voice. Where his body seems ungovernable and a source of embarrassment to him – he often can’t bear to watch himself on screen – his voice is confident, almost suave. There’s a moment in his least known movie, The Big One (1997), where he launches effortlessly into a gravelly imitation of Dylan singing ‘The Times They Are A-Changin’’ before reverting, with a chuckle, to his own spoken voice. In his films, his physical appearance – in flannel shirt and outsize jeans – represents Moore the underdog, the champion of regular working folk.
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Bee Wilson is the author of Swindled: From Poison Sweets to Counterfeit Coffee.
Other articles by this contributor:
The Eerie One · Peter Lorre
Boudoir Politics · Lola Montez
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