Skip navigation
London Review of Books London Review Bookshop

Search the LRB

All the words
Exact phrase

advanced search

SUBSCRIBER REGISTRATION

Subscribers to the LRB currently get free access to the full content of the magazine in an online edition. If you are a subscriber and would like to register for online access click here

If you are already registered you can log in from our login page

If you would like further information about subscribing to the LRB click here.

London Review Bookshop

Negative Honeymoon subscriber-only content

Joanna Biggs

They’ve known each other, Joshua Spassky and Natalie, for five years, and have often met, as lovers. They last met at the West Yorkshire Playhouse; Joshua was over from the US rehearsing a play he’d written. But they’d not seen each other in a while. She stops off at the ladies on her way to find him: ‘I rubbed make-up onto my nose and cheeks, under my eyes. I had another drink in there, too, and then leaned back on the sinks and waited, watching the minutes pass on the clock on my phone. My heart was beating quite purposefully.’ When she arrives at the rehearsal room, the actors stop mid-line and stare. Their pause rouses Joshua:

‘Oh,’ he said, ‘hey,’ and he stood up, and bent down to put his coffee cup on the floor.

He edged out into the aisle. His hair was longer. A strand went in my mouth when he gave me a hug.

subscriber-only content Subscribers to the print edition can log in to view the entire article. For information about subscribing to the London Review of Books click here. This article and the back issue are also available for purchase online. Buy this article / Buy this back issue

Joanna Biggs works at the London Review.

LRB cover artwork

From the archive

Welly-Whanging
Thomas Jones on Alan Hollinghurst

Political Gothic
Andy Beckett: David Peace does the miners’ strike

An Attic Full of Sermons
Tessa Hadley on Marilynne Robinson

Huffing Along
Lorin Stein on The Emperor of Ocean Park

Tomorrow it’ll all be over
Nicholas Spice: The Trouble with Philip Roth’s ‘Everyman’