Pink and Bare 
Bee Wilson
To understand Nicole Kidman, David Thomson argues, you need to see a film called In the Cut. Not because Kidman is in it. She isn’t. The film stars Meg Ryan, is directed by Jane Campion and tells the story of how a lonely creative writing teacher, Fran, becomes involved with a cop (Mark Ruffalo) who is investigating a string of particularly gruesome murders. As the film (which is based on a novel by Susanna Moore) unfolds, and the relationship is depicted in ever more lurid bedroom poses, Fran begins to suspect that the cop himself is guilty of the murders. Many people, Thomson included, think that it is Ryan’s best performance, ‘bravely naked in uncommonly unglamorous conditions’. In her earlier roles she was bubble-haired, blonde and childish: here she is a drab brunette who looks her age. In box-office terms, the film was a disaster. It took around $4.7 million (on a budget of $12 million), which compares feebly with her biggest hits, You’ve Got Mail ($116 million) and Sleepless in Seattle ($126 million). It left many people, and this includes Thomson, concluding that ‘Meg Ryan is no longer what she was.’
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Bee Wilson is the author of Swindled: From Poison Sweets to Counterfeit Coffee.
Other articles by this contributor:
Boudoir Politics · Lola Montez
The Eerie One · Peter Lorre
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