Form-Compelling 

David Matthews

Counterpoint, the art of combining two or more independent melodic lines, is the prime distinguishing feature of Western music. Music began with monody – unaccompanied melody – and with rhythmic patterns beaten out on sticks and drums: the majority of the world’s folk music is monodic. Often, percussion underlines the rhythm, and sometimes a drone is added, an unchanging note in the bass, which keeps the tune in touch with the earth as it makes its aerial flights: this is a feature of some of the most sophisticated non-Western musics, for instance classical Indian. Indonesian music uses heterophony, or different versions of the same melodic line sounding together. But European counterpoint is something else altogether. It is a conversation, acknowledging the presence and participation of the other. Two independent voices may be played by the same musician, on a keyboard, for instance, but they are more often given to two players, who must listen to each other.

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