At the Scuderie del Quirinale 
Peter Campbell
Despite everything Auden said, there are plenty of works by Old Masters, even at the Musée des Beaux Arts in Brussels, in which suffering and death take centre stage, in which the drama is concentrated, the tragedy given nobility, the idle crowd banished and the bystanders made to pay attention.
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Peter Campbell is the London Review’s resident designer and art critic.
Other articles by this contributor:
At Kew · The ultimate in controlled habitat-imitation
At the Royal Academy · Caravaggio
At Tate Britain · James Gillray
At the Royal Academy · Frank Auerbach
At the British Museum · Under African Eyes
At the Royal Academy · Matisse’s revelations
At the Royal Academy · From Russia
At Tate Modern · good plain painting and men in shirt-sleeves
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