Stony Ground 

Peter D. McDonald

In a respectful but chary review of The Life and Times of Michael K (1983) in the New York Review of Books, Nadine Gordimer wrote about J.M. Coetzee’s ‘conscious choice’ of allegory as a literary mode in his first three novels. The reasons for this, she speculated, were temperamental:

It seemed he did so out of a kind of opposing desire to hold himself clear of events and their daily, grubby, tragic consequences in which, like everyone else living in South Africa, he is up to the neck, and about which he had an inner compulsion to write. So here was allegory as a stately fastidiousness; or a state of shock.

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