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Contents

Vol. 27 No. 19   ·   6 October 2005

A Journey in the South

Andrew O’Hagan travels to New Orleans

Letters

Tony Barrell, Richard Guy, Alasdair Mackenzie, Adrian Tahourdin, David Elstein, Colin Armstrong, Peter Davidson and Joanna Kavenna, Willie Thompson, Jonathan Cook, Yisreal Medad, Ira Katznelson

Here she is

Frank Kermode on Zadie Smith

  • On Beauty by Zadie Smith

Thomas Jones on Uzodinma Iweala’s ‘Beasts of No Nation’

Robin Robertson

Flame-Broiled Whopper

Theo Tait on Salman Rushdie

  • Shalimar the Clown by Salman Rushdie

Jessica Olin on Curtis Sittenfeld’s ‘Prep’

Hooray Hen-Wees

John Christensen: Pinochet’s Millions

  • Capitalism’s Achilles Heel: Dirty Money and How to Renew the Free-Market System by Raymond Baker  Buy this book

Short Cuts

Paul Laity on worst case scenarios

David Stevenson on writing European history

  • The Lights that Failed: European International History 1919-33 by Zara Steiner

Christopher Turner on Freud’s Free Clinics

  • Freud’s Free Clinics: Psychoanalysis and Social Justice 1918-38 by Elizabeth Ann Danto  Buy this book

Jerry Fodor: What is it about music?

  • The Singing Neanderthals: The Origins of Music, Language, Mind and Body by Steven Mithen

Matthew Reynolds on translating Cesare Pavese

Open House

Peter Campbell looks through other people’s windows

Amanda Claybaugh on the ambition of William Dean Howells

  • William Dean Howells: A Writer’s Life by Susan Goodman and Carl Dawson  Buy this book

Bee Wilson on Mesopotamian cookery

  • The Oldest Cuisine in the World: Cooking in Mesopotamia by Jean Bottéro, translated by Teresa Lavender Fagan  Buy this book

Pamela Thomas takes tea with Marshal Tito

Contributors

LRB cover artwork: Red splash, left and bottom

Featured articles

A Journey in the South
Andrew O’Hagan travels to New Orleans

Here she is
Frank Kermode on Zadie Smith

Flame-Broiled Whopper
Theo Tait on Salman Rushdie

Hooray Hen-Wees
John Christensen: Pinochet’s Millions

Short Cuts
Paul Laity on worst case scenarios

Open House
Peter Campbell looks through other people’s windows